Images

Hallway, The Louvre

Hallway, The Louvre
“Hallway, The Louvre” — Light filtering through windows into a hallway, the Louvre, Paris.

One of my little secrets is that when I visit museums, the collections are not the only reason I’m there. Among other reasons, I like to photograph them. They are compelling spaces in so many ways. Although not evident in this photograph, they are great places to observe people individually and in groups, and the buildings themselves are often visually interesting. That’s no surprise since they are created from a perspective that gives great importance to visual effect and to light.

I’m betting that this is far, far from the most photographed thing at The Louvre! It is just a section of hallway near, if my memory is correct, an escalator. But the light coming through these windows was lovely, so I made a photograph. Here’s a secret: I shared a much different interpretation of of this scene previously. That version is in black and white and in it I took greater liberties with the qualities of the light and shadow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Ridges and Shadows

Ridges and Shadows
Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Ridges and Shadows. © Copyright 2022 G Dan Mitchell.

Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Believe it or not, I’m still not quite done with this year’s Death Valley photographs. I’ve been sitting on this one for a week or two, pondering several things about it, but now I think I’m done with it. It may be the final one from this year’s very productive visits to the park. We’ll see! (Looking ahead, there’s a good chance that a year from now I’ll review the files and find at least one more.)

This is perhaps the place to again mention the typical cycle I go through when I return with photographs from a location. I open up the collection, and a few typically jump out at me immediately. These will not necessarily be “the best” of the group, but they are photographs that are fairly straightforward to process and work more or less as I expected when I exposed them. Then I go back through the files and begin to work on likely prospects that will require more thought. (Often the best work comes from this pass.) But this isn’t the end of it, and next I look again, this time trying to see the work with a different perspective. Here I often “discover” how to “see” photographs that did not initially seem like they would work. Finally (or maybe not?) I make one more serious traverse of the work to see what I might have missed. And with that — at least until I come back to the files in a year or so — it is on to new projects!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Blue Door, Le Marais

Blue Door, Le Marais
A blue entrance door on a narrow street in Le Marais, Paris

Blue Door, Le Marais. © Copyright 2022 G Dan Mitchell.

A blue entrance door on a narrow street in Le Marais, Paris

This is another of the “found it while working on something else” photographs from Paris that I’ve unearthed this past week. I’m writing something about another photograph that I made on this day, and when I went back to look at the original of that photograph and others made around the same time… I was pleasantly distracted by going through a bunch of related photographs.

Like those other photographs, this one comes from Le Marais, a beautiful (and today quite popular) older section of Paris that retains very narrow streets and a time worn character, despite being somewhat gentrified now. There’s a lot to see here, and this is even more true when you carry a camera. Among other things, the beautiful soft light on this bit of old architecture attracted me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Patterns in Rock

Patterns in Rock
Complex patterns in rocks along the California coast.

Patterns in Rock. © Copyright 2022 G Dan Mitchell.

Complex patterns in rocks along the California coast.

If you are hoping for a scientific explanation of what you are seeing in this photograph, I’m not qualified to provide it. I’ve visited this little area of small geographic wonders at Point Lobos for decades, and much of it remains a mystery to me. I know bits and pieces of information, but far from the whole story.

I find something new every time I visit this spot, even after all of these years. This little vignette impresses me with its variety of features. The underlying rock seems to be some kind of sandstone, in vertically oriented layers that must have been uplifted and distorted at some point. Other rocks are embedded in it, and in this spot there is this odd bit of angular patterns.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.