Images

Rectangular

Color and Light Patterns
“Rectangular” — Patterns of color and light on an urban building, San Jose, California.

This photograph ties in with a couple of aspects of my photographic practice. I’ve always been fascinated by patterns, shapes, colors, and textures in the abstract. I think this is present even in photographs of mine that are not as clearly geometric as this one. In addition, I often photograph things that might seem mundane — every day places and objects.

Connected to that last point, I often carry a camera with me when I go out for non-photography purposes. I walk a lot — often miles every day. And I virtually never head out on a walk without a camera. Most often it stays in the bag and I don’t make any photographs. But every so often I see an interesting subject and, having the camera with me, I make photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Pine Forest, Evening

Pine Forest, Evening
“Pine Forest, Evening” — A High Sierra pine forest in soft evening light.

This is an example of what a photographer friend has called “quiet photographs.” There’s no astonishing sunset, no peak piercing the clouds, no spectacular waterfall… just a quiet scene of the sort that characterizes much of our experience in the wild. I love those over-the-top astonishing moments, but I equally love the quiet, still moments and scenes like this one.

This particular scene is along the edge of Tuolumne Meadows in Yosemite National Park’s high country. No one else was there (hard to believe?) and the sun had just set. These trees, the ubiquitous lodgepole pines, stand near the edge of the the open meadow, and the meadow hasn’t entirely given up to them yet, as you can see from the open spacing of the trees and the short green foliage along the ground.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Table and Chairs

Table and Chairs
“Table and Chairs” — A table and chairs under a portico in Santiago de Compostela.

One of the pleasures of (warm-weather) travel in many parts of Europe is sitting at an outdoor table to have a drink or a coffee and watch the world go by. The table and chairs were ideally situated beneath the arch of a portico, perfect for that kind of activity along a narrow street in Santiago de Compostela.

The table was empty, but my photo archive suggests that this was not the case for long. The next photographs in my collection are a series of images of espresso cups and spoons… strongly suggesting that we must have ordered coffee, taken seats at the table, and engaged in precisely that activity.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Pond and Peaks, Evening

Pond and Peaks, Evening
“Pond and Peaks, Evening” — Eveing light on a subalpine pond beneath Sierra Nevada crest peaks.

This seems like a classic Sierra Nevada backcountry scene — a lovely subalpine lake (or in this case pond), soft and warm evening light, a bit of meadow, a forest, boulders, and the highest peaks looming beyond, still holding a bit of snow from the past winter. There is hardly anything finer than to find a comfortable rock, lean back, and simply watch such a scene as day transitions to night.

Truth be told, while I do certainly get to experience these scenes — as I did on this late-July backpack trip earlier this summer — I almost never sit back and just watch at this time of day. While I deeply appreciate all of the sensations evoked by a scene like this one, something familiar to me from decades in these mountains, the camera calls… and you are far more likely to find me out exploring with my camera than sitting back against that comfortable rock!


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.