Images

Rainy Evening, Amsterdam

Rainy Evening, Amsterdam
Pedestrians walk along a narrow Amsterdam brick street on a rainy evening

Rainy Evening, Amsterdam. © Copyright 2018 G Dan Mitchell – all rights reserved.

Pedestrians walk along a narrow Amsterdam brick street on a rainy evening

This was our first day in Amsterdam, on our first visit to this city. We arrived by train from London, got there in the afternoon, went to our hotel to get settled in, and then it was time to begin our explorations and to get something to eat. Our hotel was just outside of the very busy central area of Amsterdam, so we had to walk a few blocks first before we entered the familiar narrow and curving streets… and for the first time saw the busy crowds, scores of bicycles, and more.

It was a slightly wet evening — no hard rain, but enough to dampen the pavement and create reflections. The darkened, cloudy skies and the late hour limited the light, which always has the nice effect of making illuminated signs a bit more visible, but without blowing them out as can happen at night. Our first impression on entering this area was that we could just walk up the center of the street. That turned out to be sort of true, but there’s more to it than that in Amsterdam. Lots of different types of traffic share these streets — the ubiquitous bicycles, pedestrians, occasional scooters and cars — and it turns out that there are some rules and expectations about who goes where. If you haven’t been there before, I’ll just say, “Watch out for bicycles!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Morning, Fog, Surf

Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest and Granite, Reflections

Forest and Granite, Reflections
Trees of a sparse forest on rocky ground, reflected in the surface of a subalpine lake

Forest and Granite, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees of a sparse forest on rocky ground, reflected in the surface of a subalpine lake.

Yes, I am still mining the work from our late-summer week in the John Muir Wilderness, during which five of us base-camped and photographed the heck out of the surrounding area. That pleasant late-summer days seem far away now during the cold season. (You can bet that these subjects look a lot different at the moment!) Yet as soon as I look at them it all comes right back to me… and I start thinking about the next trip to such a place.

I made this photograph late in the day after walking up to this rocky little basin, full of lakes and thin forest and surrounded by talus slopes leading up toward the Sierra Nevada crest. The specific location is a small bay extending to one side of a larger lake. The main lake was largely rock bound, with a huge cliff at its upper end. But this side bay was more gentle, surrounded by more level terrain and forest, and protected from wind. Late in the day the shadows from the nearby peaks blocked the sun, and I photographed the trees and rocks on the opposite shoreline in soft light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Blue Door

Blue Door
A blue door in gentle light and surrounded by a monumental door frame, London

Blue Door. © Copyright 2018 G Dan Mitchell – all rights reserved.

A blue door in gentle light and surrounded by a monumental door frame, London

A door, somewhere in London, but I’m now not sure where! I could probably come closer to locating it if I were to go back through the rest of the raw files from this day, but I think it may have been near our hotel, which was a short walk from Paddington Station and not far at all from Hyde Park. I know that we went out more than once for walks in this area, including the morning when I believe I made the photograph.

The doorway seems remarkable to me in several ways. The huge framing is quite something, and not much at all like anything you would typically see in the US, at least not in my part of the country. The frame is so monumental that it has the effect of either making the doorway seem twice as large as it really is… or of making the actual door seem very small. The color of the door is beautiful and something of a surprise given the other colors in the scene. And the light striking the door obliquely from the left seems very beautiful to me.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.