Images

Photographs: Nature, Photographs: Sierra Nevada

Blue Hour Talus, Cliff and Lake

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Blue Hour Talus, Cliff and Lake
A talus field extends across the shore of an alpine lake

Blue Hour Talus, Cliff and Lake. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field extends across the shore of an alpine lake

During my recent September backcountry expedition to photograph areas of the John Muir Wilderness, we were fortunate to find ourselves in a place with lots of rocky terrain — tall peaks above, mountain slopes all around, talus fields leading into alpine lakes. The lower Sierra country with it forests and gentle steams is wonderful, but I really love the higher and more rugged country, where stunted trees grow among tarns and small lakes, and where the landscape is more and more rocky as you ascend.

Near the lake at which we camped a gigantic talus field descended from the nearby ridge. At first glance such things can appear almost random and undifferentiated, being the rock equivalent of beach sand. But in the right light, looked at in the right way, and especially with a smooth lake surface to reflect their forms, structural patterns and flows begin to appear from the complexity of this landscape. In direct sunlight these rocks can be almost too harsh to photograph, with huge contacts between black shadows and brilliant reflective highlights. But during the morning and evening “blue hour” periods the light is softened, filling in shadows, and adding a different sort of coloration to the scene.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: France, Photographs: Travel

Window and Plants

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Lush plants grow around a window of a stone building in Barbizon, France

Window and Plants. © Copyright 2018 G Dan Mitchell – all rights reserved.

Lush plants grow around a window of a stone building in Barbizon, France

Today I continue with my back-and-forth between photographs from a lengthy summer visit to several European countries and a following week-plus backcountry Sierra Nevada photography trip. Today it is back to Europe. (Anyone getting whiplash yet?)

Near the end of our trip we joined members of our extended American and European family for a week at a house in the French countryside near Fontainebleau. We have been doing something like this every other summer for the past few years — we get together, hang out, cook and eat, travel around a bit, and generally have a good and slightly lazy time. To be a bit more specific about our location, we were (just barely) walking distance from the village of Barbizon, which gives the appearance of being a sort of artist community, or at least a place where people attracted to that identity have chosen to live. It is a lovely little village and we visited several times, including near the end of the trip when I made this photograph of the plant-covered window of a local building.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Alpine Shoreline, Autumn Plants

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Shoreline plants with early autumn colors along the back of a backcountry lake.

Alpine Shoreline, Autumn Plants. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shoreline plants with early autumn colors along the back of a backcountry lake.

For all of the usual reasons, our group base-camped at a high, subalpine lake during our recent week in the Sierra Nevada backcountry. What are those reasons? Some are, of course, scenic — many lakes provide open vistas, reflections, an easy way to walk their perimeters (though not always!), meadows, and access to other nearby locations. “Our” lake had a large and convoluted shoreline. Most of it was covered with trees and mead owing areas, though one side was comprised of the base of a giant talus slope leading down from the nearby peaks.

I walked much of the lake’s perimeter, revisiting sections a number of times during our stay. On this morning I had set out to reach the farthest point of the lake, where a rocky outlet stream led to further meadows and more lakes. I had a lot of ideas about what I could photograph there, but central in my mind was to photograph a couple of bays like this one, surrounded by rocky terrain and early autumn vegetation, and with the distant peaks of the Sierra crest in the background.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: France, Photographs: Urban/Street

Parked Scooter

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Parked Scooter
“Parked Scooter” — A scooter parked along a Paris street

I saw this scooter parked along a street in Paris — in the Le Marais area, if I recall correctly. In many urban European areas, at least that I’ve seen, such things are ubiquitous, along with the many urban bicycles. Here there is really little or no room for a car, but it is possible to squeeze in a bike or a scooter. The retro styling of these things is a lot of fun — they have an appearance that seems like it might have felt hyper-modern… about 40-50 years ago.

The scooter also reminds me of something that I rediscover to varying degrees when I travel, namely how much of what we do and expect is conditioned by familiarity with places and their customs. At one point on this trip we rented a car to drive from Paris (CDG airport) to a location southwest of the city where we would stay for a week. The area was semi-rural, but with towns and villages here and there. Driving in such places would be second-nature to me in the USA, but in France it was anything but! I had to actually try to understand and interpret traffic signs and graphics, something that takes considerably longer when the signs are unfamiliar and one is not a speaker of the local language. Even something as simple as knowing, for example, that it is apparently OK to park a scooter in a place like this would be an utter mystery.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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