Images

Trees in Morning Light, Granite Dome

Trees in Morning Light, Granite Dome
“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.

Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.

I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Night Street, Santiago de Compostela

Night Street, Santiago de Compostela
“Night Street, Santiago de Compostela” — People stroll along quiet streets in the early evening, Santiago de Compostela

Santiago de Compostela was one of two Spanish cities we visited on this trip almost on a whim. We knew almost nothing about it, aside from the fact that it is the endpoint for thousands of Camino participants, who take weeks or months to walk there. We ended up loving the town, with its old central district that is charming and has a different feel than other cities — in part due to the connection to the caminos.

When traveling we walk a lot and often just head out with no well-defined plan, expecting to see and discover things as we go. My recollection is that this was a post-dinner walk — though given Spain’s late dinner our it could have been pre-dinner! This street, with its old stone buildings, porticos, and narrow passages was almost deserted.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Shoreline Forest

Shoreline Forest
“Shoreline Forest” — Trees grow along the shoreline of a Yosemite high country lake.

When I plan to spend a morning photographing in an area like this in Yosemite, I figure I have perhaps 3-4 hours of interesting light for morning photography. I typically start with a subject that works well in predawn light, move to one that focuses on the actual sunrise, then move around to find other subjects when their best morning light arrives. A subject like this one typically comes later and is often the final one of the morning.

I made the photograph in full sunlight, though it was slightly muted by some thin haze. I was interested in the interplay between the shapes of the trees and their shadows. In order to create this composition I had to photograph essentially directly into the morning sun light, though I positioned myself so that the shadow of one of the trees blocked the direct light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Trogir Building

Trogir Building
“Trogir Building” — Bicycles are parked in front of a Trogir building in morning light.

A friend and I arrived in Trogir very early in the morning. Our plan was to photograph the city before the daytime tourist crowds arrived. We had already been photographing for some time when I made this photograph in reflected morning light. Much of the city is connected by very narrow passageways, which means things are often in the shadows. But here the city was open enough to allow reflected light to illuminate this building.

This photograph is largely about the beautiful, warm, soft reflected light. But other things play into it as well. To my eye, there is a lot of interesting geometry here — from the triangular shapes of the roof structure to the big rectangles of the windows and doors, and then the finer patterns of the stones in the building and the sidewalk. Yet all of the geometry is broken up by other elements — the curving wire on the roof, the metal cylinder near the right door, and the bicycles.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)