Dry Creek at Fletcher Lake

Dry Creek at Fletcher Lake

Dry Creek at Fletcher Lake. Yosemite National Park, California. September 7, 2008. © Copyright G Dan Mitchell – all rights reserved.

A dry creek surrounded by golden autumn meadow grasses and illuminated by early morning light winds through a clump of small trees near Fletcher Lake, Yosemite National Park, California.

The meadow around Fletcher Lake (the site of Vogelsang High Sierra Camp, one of the group of well-known high sierra camps in Yosemite) turns a beautiful golden brown in the late season and contrasts with the green of the small trees gradually taking over the meadow, especially when the grasses are backlit by the early morning light.

keywords: creek, dry, bed, meadow, grass, brown, golden, tree, forest, small, fletcher, lake, vogelsang, high, sierra, nevada, camp, backpack, hike, landscape, nature, stock, california, usa, alpine, morning, rock, stone

Pine Needles, Fletcher Lake

Pine Needles, Fletcher Lake

Pine Needles, Fletcher Lake. Yosemite National Park, California. September 8, 2008. © Copyright G Dan Mitchell – all rights reserved.

During the first weekend of September 2008 I made my first late-season visit to the Sierra, heading to Fletcher Lake in the Yosemite backcountry, a place I often try to visit each year at about this time. I like to get up there as the fall season approaches, and an added bonus this time was the possibility of meeting some fellow photographers who were in the area. (More about that later.)

In the morning of my last day at Fletcher I was up early to photograph the morning light on the rocks and trees around the lake, especially those reflected in the still water at that hour. I was just about finished with that project when I spotted these needles on the shady side of a shoreline grove of trees.

keywords: pine, branch, needle, tree, fletcher, vogelsang, lake, yosemite, national park, california, usa, sierra, nevada, nature, green, fall, autumn, pattern, stock

Canon EOS 5D Mark II Announced

This evening I’m seeing quite a few links to the announcement of the updated EOS Canon EOS 5D Mark II. (Here is a link to a Canon press release.) Unlike some previous Canon updates that seemed rather trivial – e.g. 20D to 30D – this one includes quite a few compelling new and improved features, and I’m sure this will be a very popular camera.

Some highlights include:

  1. 21MP full-frame sensor
  2. HD video capture
  3. The expected sensor dust reduction/cleaning features
  4. Live view shooting
  5. Some interesting software additions – a “new creative mode,” “peripheral illumination correction” in jpg modes (sounds like compensation for vignetting), and “auto lighting optimizer” (seems to try to deal with recording details in high dynamic range scenes)
  6. Continuous shooting at 3.9 fps
  7. Larger and higher resolution LCD
  8. 150,000 shutter cycles
  9. Expanded ISO range
  10. Price: $2699

For many of us who are attracted to the 5D image quality, the 21MP sensor is a good thing – this camera should compete with the 1DsMKIII on an image quality basis as long as one has good enough lenses and uses careful technique. (I doubt if there will be much IQ advantage if one hand holds the camera in most cases.) It is interesting to note that the increased shutter life is competitive with 1-series cameras as well.

Video capture is quickly going to be a standard feature on DSLRs – though the usefulness of the feature is something that will perhaps only become apparent once these cameras find their way into the hands of those who know how to use the feature effectively and creatively.

The relatively leisurely 3.9 fps burst mode is no surprise. The 5D is not a camera optimized for fast action sports photography that relies on high speed burst mode shooting. But still, at nearly 4 fps it won’t exactly be unusable in this regard either.

The pricing is interesting as well. Whether due to the recent announcement of a $3000 25MP full frame Sony camera and the anticipated competition from a 20+MP Nikon camera or something else, it seems that the prices of full frame cameras – and very capable ones, at that! – are starting to drop.

Will I buy one? I had pretty much decided that I would not buy a 5D upgrade that only provided a 16MP sensor. However, at 21MP this body provides close to double the number of photosites – and such a doubling has been more or less my trigger for an upgrade. Of course, I’m not one to rush to be the first to buy. I’ll let those who are willing to pay any price to be “first on the block” get theirs right away, and I like to see what initial problems are discovered as the first units are released. All of that being said, I think there is a fair chance that I’ll do this upgrade within the next 6 months or so.

Also: Canon announced one new lens, an upgraded EF 24mm f/1.4L II USM. The previous version was thought by some to be less impressive than its 35mm f/1.4 big brother, so it isn’t too surprising that Canon updated this lens. There is also some thought the Canon will update some lenses in order to take better advantage of the higher MP count sensors – they can exceed the resolving ability of some good lenses. It will be interesting to see whether the new 24mm L is a significant improvement over the previous version… and whether it is worth the somewhat shocking (for a prime!) $1699 list price.

G Dan Mitchell Photography
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Two Pelicans, Sunset Glow

Two Pelicans, Sunset Glow

Two Pelicans, Sunset Glow. South of San Francisco, California. September 2, 2008. © Copyright G Dan Mitchell – all rights reserved.

Two pelicans fly over the golden sunset light of the California Pacifica ocean coastline south of San Francisco.

On September 3, 2008 my son and I drove over the hill to Santa Cruz late in the day and headed north along the Pacific Coast on Highway 1. I had several possible subjects in mind, but when they didn’t quite pan out I decided to go for an old standby – park along the top of the bluffs overlooking the Pacific Ocean and wait for seabirds to fly past on the updraft from the ocean wind. We weren’t disappointed! Many birds were doing their commute up and down the coast, including lots of gulls and several impressive flocks of pelicans.

As the birds come by I begin by trying to get focus on one or more of them, and then I (attempt to) pan smoothly as they pass by. Because it was just before sunset on this evening the light varied tremendously as the birds came past, ranging from fairly flat blue light when shooting to the south to this amazingly saturated gold (or orange?) light when the sun and ocean and distant fog bank were right behind the birds. The color of this light is real – I shot in RAW mode and use the “as shot” setting during the conversion. Hard to believe, I know…

keywords: two, pelicans, sea, bird, ocean, coast, shore, pelagic, pacific, california, usa, wildlife, nature, landscape, orange, yellow, gold, sunset, evening, central, san francisco, santa cruz, stock