Michael Frye has announced at his new blog that he will be doing a weekly online photo critique. As I understand, it works like this: Readers can submit their photographs. Once a week Michael will select one and offer a detailed critique of the image, and discussion and reader participation will follow. You can read more at the link to the critique announcement above.
This sounds like a great opportunity for all, and Michael is to be commended for his generosity. (He is also to be commended for his recent embrace of online media!) Every participant to submits an image will gain from his or her own careful consideration of their own images, the selected photographer will get feedback by a fine and highly regarded photographer, and we’ll all benefit from reading and participating in the critiques. I’m very much looking forward to this!
A yellow light industrial building with black windows with a red and white “For Lease” sign, San Jose, California.
Number 3 in the News Day photo-walk series, and this one is perhaps the brightest and most intensely colored of the bunch. This light industrial building has apparently been deserted for a while and it is currently for lease. This bright yellow corrugated metal structure is right across the street from the intense green building from which the previous-posted photography came.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Green wall with green door and window in an urban industrial area of San Jose, California.
This is another urban landscape from my New Years Day walk and shoot. This photograph and the one that follows (a yellow building with a “For Lease” sign) are almost directly across the street from one another – a colorful bit of industrial neighborhood for sure! Despite the weathered and repainted character of this detail, the overall building is actually in decent shape. There is something mysterious about it though with the green color(s) and the boarded up windows and the door with no handle.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
I have backpacked in California’s Sierra Nevada range for quite a few decades. A number (a large number!) of years ago my wife and I went on a two-week trans-Sierra backpack trip that traversed the range from west to east between Crescent Meadow and Whitney Portal, following a route known as the “High Sierra Trail.” On the third morning we left our camp and began the stiff ascent toward the pass we had to cross to enter the Kern River drainage. Near the top of the steepest part of the climb the trail momentarily leveled out and we found ourselves facing a high, rockbound lake with a perfectly vertical patterned rock face dropping straight into the water on the far side. The view seemed familiar – and I realized that it was a scene captured by Ansel Adams (“Frozen Lake and Cliffs“) in the early 1930s. (I also later realized that there is a wonderful and well-known photograph of the subject by Vern Clevenger.)
My wife and I were enthusiastic about photography in those days, too, and we carried a couple of Pentax SLRs and a few lenses and many rolls of film into the back-country. But I don’t think I came back with more than a few “snapshots” of this lake on that trip.
Fast-forward a few decades to 2008 when a group of my backpacking friends decided to follow this same trans-Sierra route — and, of course, I had to join them. Once again, I found myself ascending the trail toward that small bowl, but this time I had a plan to photograph the lake and the equipment to do it right. I recalled parts of the climb from my previous trip, but I had probably forgotten more than I remembered during the intervening decades. As the trail traverses a beautiful wet section full of wildflowers (which I had forgotten) I could tell that the lake was just ahead, and soon I topped a small saddle and saw the familiar scene before me.
As planned, I set to work doing some of the photography that I had contemplated before the trip. To be honest, I mainly worked from more or less the location that Adams must have used, though the conditions were a bit different on this day – the light was changeable as broken clouds passed above, and there was very little snow, much less ice, left at the lake. After perhaps 30 or 45 minutes of work, my hiking partners were getting restless and it was time to move on. I felt that I had worked this scene about as much as possible under the circumstances – and I did get a photograph of the “classic view” that I like a great deal — so I loaded up my heavy 9-day backpack load, put away the camera, and strapped the tripod to the outside of the pack. I hoisted the load and slowly started up the switchbacks immediately above the lake.
A couple of switchbacks up the trail I happened to look back at the lake from a slightly higher vantage point, and from here the astonishing deep blue color of the lake and the apron of rocks falling into the water became visible. My first reaction was a combination of “Wow!” and “No way am I taking this pack off and setting all that stuff up again!” Continue reading A Photograph Exposed: “Submerged Boulders, Lake, and Cliffs”→
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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