The White Stone

The White Stone
“The White Stone” — A white stone rests among many-colored pebbles, Point Lobos.

I had a free morning in mid-April, so I headed over to Point Lobos, barely more than an hour’s drive from here. I might have gone on down the Big Sur coast, but road washouts have closed that route for now. So Point Lobos it was! I arrived to gray weather — high fog and not much in the way of interesting, directional light. But eventually the clouds began to pull back toward the coast and soft, directional light appeared.

Point Lobos always rewards a slower pace. There’s a lot to see here, and even more to see if you linger and start to notice things that you might miss by passing through quickly. The edges of this cove are lined with rocky strata that gradually dip into the water. Winter surf pushes all sorts of interesting stuff up onto the shoreline, and I enjoy walking slowly here and seeing what I can find. The small colorful pebbles are everywhere, but the larger white rock was the special find.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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A Spring Garden

A Spring Garden
“A Spring Garden” — A green corner of the Japanese garden at Hakone Estate and Gardens.

In early spring we found time to spend an evening at the Hakone Estate and Gardens, where a celebration of spring in general and cherry blossoms specifically was taking place. One can go there at almost any time of day, but evenings are special. We arrived in late afternoon light and then, as we wandered the garden, the light faded to sunset and then twilight as colorful lights came on to illuminate the cherry trees.

Of course, there is much more to see there than just the cherry trees. The buildings of the estate are fascinating, there are pools and streams, bridges, and also sorts of flooring plants, bushes, and trees. In one corner of the garden, on a hilly path, I came upon this corner filled with extremely lush spring plants.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Deserted Street, Orvieto

Deserted Street, Orvieto
“Deserted Street, Orvieto” — A narrow, deserted street in the Italian hill town of Orvieto.

It can be a challenge to photograph these narrow streets without people in a popular town such as Orvieto. One strategy is to photograph late in the day and even into the evening, but sometimes an even more promising approach is to go out very early. Most of the tourists aren’t out then, instead sleeping in before a leisurely breakfast in the morning or sitting in a restaurant in the evening. The difference is even greater in Orvieto, where many of the visitors only come for the day, heading back to their “home base” for the evening.

All of the streets here are narrow, but this is an even narrower side street. Unlike the familiar American grid street layout, there the narrow passageways curve and twist and take off in surprising directions. Several things in this photograph intrigue me. First, essentially everything you see is stone masonry, from the cobbled path to the walls and arches. Second, I suspect that these arches serve multiple purposes — both as passageways and to brace the facing buildings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dune Shadow

Dune Shadow
“Dune Shadow” — A plant stretches out from the shadow of late-day light on sand dunes, Death Valley.

On some of my Death Valley visits I photograph dunes many times — at dawn and at sunset, and especially if there is a dust storm or interesting clouds. But on this trip I really only made one serious foray into the dunes, since other rarer features distracted me — most notably the reemergence of a remnant of prehistoric Lake Manly. But it wouldn’t have seemed like a real Death Valley visit without at least one dune adventure.

I made this photograph late in the day, just before the shadows of the Cottonwood Mountains angled across the valley and” dimmed the lights.” (No matter how many times I photograph there, I am still always surprised by how quickly this happens.) Despite first appearances, things do live in the sand, and here an old plant (barely) grows in the shelter of a small dune. Beyond, more dunes stretch across the valley floor, then a gravel fan rises toward desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.