G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
“Max Headroom 14 Feet” — A roll-up garage door in an alcove, Aberdeen.
Our May visit to Aberdeen, Scotland marked a transition on our trip. We had just completed a week-plus driving tour of Northwest Scotland, where we spent a lot of time in rural and wild areas. After returning our rental car in Inverness, we went straight to the station and boarded a train to Aberdeen, where we planned a quiet stop before heading on to Ireland. Why Aberdeen? Patty had visited the city decades ago when she went to the UK for an international orchestra festival. She wanted to return and see what she might remember of Aberdeen.
“Subalpine Meadow, Evening Light” — A ridge rises above a subalpine meadow and forest, Yosemite.
This is another “quiet” photograph — no brilliant colors, not really an iconic location. It simply captures, I hope, something of the feeling of being in the High Sierra as the day winds down, the light warms as sunset approaches, and begin to stretch across the landscape. It is a beautiful time of day — everything slows down, it gets quieter as people go to camp for dinner.
“Green Chain” — A chain casts a shadow on a corrugated metal wall.
I have admitted to a fascination with graphical elements — shapes, textures, colors, curves, and more. Finding them in the urban or natural landscape can make fairly mundane subjects interesting, at least to me. Here we see a small section of the corrugated metal wall of a very green industrial building. A couple of loops of chain hang from a gap between panels, for reasons that seem inscrutable.
“Tufa, Stormy Sky” — Tufa formation in pre-sunrise light, backed by dark clouds above the Sierra Nevada.
The light on this scene was a surprise. I had left my campsite high in the Sierra Nevada while it was still dark, arriving at the shore of Mono Lake well before sunrise. For a moment I was the only person there before others began arriving. There were lot of clouds — which can be a blessing or a curse for sunrise photography, depending on where they are and whether there are breaks in the right directions. I expected to arrive at this formation in fairly dismal light, then go look for compositions and set up for sunrise.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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