All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
Post-processing Workflow, Software, Technique

What You Get Is Not What You See

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Recently I spent more than a week photographing in a beautiful area of the Sierra Nevada backcountry. A short walk above the spot where we camped was a magical meadow — a place filled with light, grasses still green but starting to turn golden, high elevation trees scattered around the edge of the meadows, and a deep valley separating us from alpine valleys topped by steep granite peaks and ridges with scattered snow fields. At times clouds would float by and add some interest to the blue Sierra Nevada sky.

What I saw

Here is one of several photographs I made in this meadow, with the first example being a small version of a print-ready final interpretation…

Subalpine Meadow, Forest, and Peaks
At the edge of a subalpine meadow, surrounded by forest and high peaks

Here is another version of the photograph, straight out of my raw file conversion program and before I did additional work in Photoshop…

File after raw conversion operations

I think it reflects fairly well what I saw while I stood behind the tripod as light softened by closer clouds spread across the meadow. I’m confident that anyone who had been there with me would agree.

What the camera saw

But that is not what the camera saw. Here is what my captured file looked like before I did my raw conversion post-processing…

RAW file as exposed before conversion processing

Yuck!

This SOOC (“straight out of camera”) image looks pretty bad. The sky is OK, but the meadow is dark and flat-looking, not showing the actual quality of light at all, and the forest appears to be almost completely black.

What’s up here? Am I trying to trick you and present a false version of the scene? Am I an incompetent photographer who completely blew the exposure? Am I trying to “compensate” for a bad exposure by using radical post-processing?

The answer is “none of the above.” Continue reading What You Get Is Not What You See →

Photographs: Nature, Photographs: Sierra Nevada

Lupine-Filled Meadow, Evening

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Lupine-Filled Meadow, Evening
Lupine blooms carpet and alpine meadow against a backdrop of evening light on Sierra Nevada peaks

Lupine-Filled Meadow, Evening. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lupine blooms carpet and alpine meadow against a backdrop of evening light on Sierra Nevada peaks

This was an unusual and exceptional year in the Sierra Nevada, primarily because the range finally — after five years of drought! — had not only good winter precipitation, but record-breaking precipitation. After watching the range dry out in very scary ways for the paste half of a decade, it has been tremendously gratifying to see a summer season that felt more normal. Because of the heavy winter storms, the high country snow melted out later than usual, and many places that typically might open by June or earlier were still closed well into July. And when the high country did open, there was still snow everywhere and creeks and rivers continued to run high well into the summer.

A side effect of all of this was that the short high country season of growth was delayed and extended, as we clearly saw during our week-plus backcountry photography excursion at the end of August and into the first few days of September. In a typical year I usually begin to sense autumn coming on by this point in the season, but this year it felt like full-blown summer: the creeks were still flowing strongly, there were snow fields in the higher mountains and we still had to cross them to get over passes, meadows were lush and green, and there were wildflowers everywhere. this meadow was a wonderful example. Located only a short walk away from our camp, it was absolutely filled with flowers, but especially with one of the largest displays of lupine that I’ve seen in the range.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Locations, Sierra Nevada Fall Color

2017 Sierra Nevada Fall Color Preview

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As I write this it is mid-September — still summer for a few more days, but the prospect of autumn is definitely in the air here in California. The temperatures have moderated — though we’ll have a few more hot spells — and the first hints of Pacific winter weather fronts are appearing. Sierra Nevada nighttime temperatures dropping in the twenties. A few weeks ago when I was last in the Sierra I spotted a few of the unmistakable first signs of fall: yellow and brown corn lily plants, a few yellow leaves on arctic willow, golden brown meadows, and here and there the odd early yellow aspen leaves.

With all of this happening, it is the right time for an update on Sierra Nevada fall color, particularly the seasonal aspen color which is reportedly already starting.

Aspen Color, North Lake

Continue reading 2017 Sierra Nevada Fall Color Preview →

Photographs: Nature, Photographs: Sierra Nevada

Lake, Reflections, Clearing Clouds

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Lake, Reflections, Clearing Clouds
“Lake, Reflections, Clearing Clouds” — Late afternoon dissipating clouds reflected in the surface of a subalpine lake

Our group camped in the forest on a moraine above this lake for over a week as we fanned out to photograph many subjects in the spectacular surrounding area — big meadows, lakes and ponds, timberline country, mountains. Each day we departed from the area of this lake, each midday was spent in camp, and we almost always walked through or past it again in the evenings. Despite this, I did not really photograph it much until the last few days of the trip, when I realized that it was becoming a now or never matter. (This often happens near the end of a lengthy backcountry photography trip — you start out feeling you have al the time in the world, and then at some point you become acutely aware of how little time remains.

I decided to focus more on this nearby lake during our final two day, and I watched the light and visited it morning and evening. As I did I began to figure out the patterns of light and shadow along the shoreline, and by the time I made this photograph I had determined that the sun left the meadow earlier than I expected. So on this day I picked my times a bit more carefully, and I arrived at a point when the sun was still on the peaks, when the water reflected them, and when (at least sometimes) a bit of light hit the nearby low ridges. For this photograph I also had beautiful clouds to work with as a weather system began to break up.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.