All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Cones and Needles

Cones and Needles
“Cones and Needles” — Cones and needles litter the ground beneath old Sierra Nevada lodgepole pines.

I made this photograph at that time of day when the shadows were long and most areas beneath trees were in the soft light. That seems to work better for this sort of photograph, which would have way too much contrast in full sunlight. Photographs of largely random subjects always end up being trickier than I think they will be. Once I see the subject framed in the viewfinder, it turns out to be a challenge to find a composition that works.

This area beneath large lodgepole piles was completely covered with a layer of fallen cones, intermixed with some pine needs and a few branches. The number of cones was actually remarkable, and it reflects the impressive fertility of these trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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A Lisbon Street

A Lisbon Street
“A Lisbon Street” — A narrow, curving street in Alfama, lined with colorful buildings.

From my limited experience, this feels like a “typical” street of Lisbon’s Alfama district… except that the street is wider than many of the passageways. The lines suggest that it is two lanes wide — though I imagine that when a trolley goes up and down those tracks there isn’t a lot of room for anyone else!

There is a lot in this scene that attracted my attention. The street itself with its pairs of tracks and optimistic center dividing line is one. The stacked and tightly spaced buildings are another. And I love the saturated colors, from the nearly pure white to the many yellow buildings, and the bits of blue here and there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Mountains, Meadow, and Morning Mist

Mountains, Meadow, and Morning Mist
“Mountains, Meadow, and Morning Mist” — Ridges leading to Sierra Crest peaks tower above a meadow with rising morning mist.

Tuolumne Meadows runs roughly on an east-west axis along Tioga Pass Road. Consequently, sunrise and sunset light shine along its length. Standing at the west end in the morning the sun rises just left of Mount Dana in the summer. It takes a while for the sun to rise high enough to clear the peaks, but when it does the light is intense.

I made this photograph on such a morning. After photographing a different pre-dawn subject, I headed here with a vague plan to photograph meadow subjects. From this vantage point, the sun’s backlight across the great distances produces striking atmospheric recession on the layers of mountains and ridges between the Meadows and the Sierra Crest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Woman in Sunshine

Womn in Sunshine
“Woman in Sunshine” — A woman looks upwards in the sunshine, Lisbon.

I made this photograph on our first foray in Lisbon during our visit this past May. If I recall correctly, after arriving late the previous night, we were up (and quite jet-lagged) and out the door to walk some of the surrounding streets. We joined the crowd and made our way down to the popular Praça do Comércio square.

I made this photograph quickly, since photographing such subjects happens in real time — there’s little opportunity to stop and carefully consider. There’s an element of serendipity in such photographs. The right person has to be in the right place and light at the right time, I have to be there, I have to look the right direction, and I have to react quickly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)