All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Pond, Forest, and Fog

Pond, Forest, and Fog
“Pond, Forest, and Fog” — Fog rising from a subalpine pond drifts through pine forest, Yosemite.

This is one of several photographs I made in this area on the morning after a significant storm moved through the Yosemite high country. It rained for hours and made photography virtually impossible. But it also primed conditions for beautiful morning fog the next day, so I was up very early and out looking for it before sunrise.

Before long I passed a small lake that I’ve known about for decades but rarely photographed. This time the scene was sublime — fog was rising from the surface of the little lake and slowly drifting into the forest. The early morning light (from the now-clear sky) illuminated the scene, but there was no direct sun to overwhelm it. I began photographing, walking slowly along the shoreline and into the forest, eventually tearing myself away in order to seek out some other subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Alfama Street Art

Alfama Street Art
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.

This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.

I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees in Morning Light, Granite Dome

Trees in Morning Light, Granite Dome
“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.

Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.

I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Night Street, Santiago de Compostela

Night Street, Santiago de Compostela
“Night Street, Santiago de Compostela” — People stroll along quiet streets in the early evening, Santiago de Compostela

Santiago de Compostela was one of two Spanish cities we visited on this trip almost on a whim. We knew almost nothing about it, aside from the fact that it is the endpoint for thousands of Camino participants, who take weeks or months to walk there. We ended up loving the town, with its old central district that is charming and has a different feel than other cities — in part due to the connection to the caminos.

When traveling we walk a lot and often just head out with no well-defined plan, expecting to see and discover things as we go. My recollection is that this was a post-dinner walk — though given Spain’s late dinner our it could have been pre-dinner! This street, with its old stone buildings, porticos, and narrow passages was almost deserted.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)