Category Archives: Photographs: Agriculture

Photographs: Agriculture, Photographs: Northern California, Photographs: Urban/Street

Pink Wall, Midday

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Pink Wall, Midday
A pink wall in midday light, interrupted by shadows, San Jose.

Pink Wall, Midday. © Copyright 2022 G Dan Mitchell.

A pink wall in midday light, interrupted by shadows, San Jose.

This is another of my photographs-while-walking, made on a recent midday walk not too far (perhaps a couple of miles) from my home. Fortunately, we live in an area with excellent walking potential. It includes residential areas, a few urban trails, some interesting light industry zones, some older neighborhoods, and more.

I always carry a small camera with me when I walk. Most of the time it stays in the bag, but every so often I see something that makes me glad I have it. I’ve long been intrigued by otherwise-forgettable bits of the urban environment — an unusual paint job, some odd object that the owners may have forgotten, a small evocative scene, and more. Here it was the juxtaposition of colors along with the long June midday shadows. (And with that, it is time to head out on today’s walk!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Agriculture, Photographs: Structures and Objects, Photographs: Urban/Street

Looking In

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Looking In
Looking into an old mansion through a screen left ajar.

Looking In. © Copyright 2022 G Dan Mitchell.

Looking into an old mansion through a screen left ajar.

We were at this location to photograph flowers, but I almost always keep an eye out for other subjects besides the one I came for. This large public garden is centered around a historic mansion, and at times I found the old building to be as interesting as the flowers that were my object. I noticed that the outer screen didn’t quite close all the way, and then I noticed that a warm lamp was barely visible inside the building. Looking in at the warmly lit interior scene, as vague as it is, evokes memories of such places in the winter.

This is one of those photographs that —once again! — proves the point that we often do not expose for some compromise, straight-out-of-camera shot. instead, I like to think about what exposure will give me the image data that I can use to in post to produce an image that is true to what I saw. Here I had to control the brightness of the exterior — which was fortunately muted a bit as the sun passed behind some clouds —while getting enough of an image in the dark and subtle interior that I could work with it in post.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Agriculture, Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Migratory Birds, Wetlands Morning

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Migratory Birds, Wetlands Morning
Migratory birds in Central Valley wetlands, winter sunrise.

Migratory Birds, Wetlands Morning. © Copyright 2022 G Dan Mitchell.

Migratory birds in Central Valley wetlands, winter sunrise.

Although it may not be obvious in the photograph, there are so many “things going on” in this scene that one could perhaps almost write a short book about it. The primary subject is likely obvious — a large flock of sandhill cranes is standing in and and along the edge of a shallow wetland pond in California’s Central Valley on a late-winter morning when the birds are perhaps only days away from their annual migration to the north. But a closer look reveals other things and leads in more directions.

The cranes are not the only birds in the scene. A thin white line in the distance is a flock of probably several thousand geese, mostly snow geese but probably also at least some smaller Ross’s geese. Other geese are in the air, and judging from their darker color they are probably white-fronted geese. It is a bit hazy — typical winter conditions in this location — with a few high clouds above. Along the horizon is the soft, early-morning silhouette of the crest of the Sierra Nevada. And a closer look at the scene reveals that this is agricultural country, perhaps the most common sort in this great valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Agriculture, Photographs: Central California, Photographs: Nature

Dormant Trees and Fog

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Dormant Trees and Fog
Dormant trees in Central Valley winter tule fog.

Dormant Trees and Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dormant trees in Central Valley winter tule fog.

This is the second in a series of photographs I made of this Central Valley orchard on a very foggy winter morning. On a typical morning with these conditions, there comes a time when the fog begins to move and thin and the light begins to come through the fog and make it glow. (This is tule fog, which forms at night when the moisture level is right, and ends up producing a thin but often very dense layer of low fog.) I had been photographing birds in thicker fog, and when the thinning process began I moved to this location where I thought the trees might be an interesting subject.

In some ways it is an easy matter to photograph a subject like this one. It is naturally mysterious and compelling, both from the fog itself and from the vaguely anthropomorphic forms of the dormant trees. However, once I begin to work with such a subject, things invariably start to become more complicated than I expected — how to create a balanced composition? What camera position gives the most interesting juxtaposition of trunks? How much to focus on trunks and how much on the upper branches How to deal with inevitable intrusions of branches into the scene. My solution is a combination of looking and thinking, relying on intuition, and trying many different approaches.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.