Category Archives: Photographs: Flight

Photographs: Central California, Photographs: Fall, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Crane Departure, Morning

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Crane Departure, Morning
Sandhill cranes take to the air in morning light above Central Valley wetlands.

Crane Departure, Morning. © Copyright 2020 G Dan Mitchell – all rights reserved.

Sandhill cranes take to the air in morning light above Central Valley wetlands.

In my experience, bird photography often involves a whole lot of sitting around, thinking about where the birds might be, stopping and watching and hoping that they will engage in some interesting behavior. The actual picture making can take up a small percentage of the total time on task, with vast slow times in between. (And that’s not even counting the long drives — usually in the dark — to get there and back.)

My photographs of sandhill cranes on this autumn morning might be illustrative. I drove two hours in darkness to get here a half hour before dawn. I followed a levee road out into agricultural and wetland country, not seeing all that many birds, at least not of the sort I was looking for. Eventually, in a place where I was not necessarily expecting to find them, I came upon a large flock of sandhill cranes in a pond. It was still before sunrise when I decided to stop and see what developed here. I made a few quick images in the low light, but then I mostly just sat there and… watched. Eventually some of the birds became more active and a bit later the first semi-directional sunrise light came weakly through the fog. And a few minutes after that happened small groups of the birds began to depart. Then they were gone and… not much else happened until I left a few hours later.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall Color, Photographs: Flight, Photographs: Nature, Photographs: Sierra Nevada

Shoreline Aspens, Autumn

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Shoreline Aspens, Autumn
Colorful autumn aspen trees line the shoreline of a Sierra Nevada lake.

Shoreline Aspens, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees line the shoreline of a Sierra Nevada lake.

Near the beginning of the second week of October I had the opportunity to travel to the Eastern Sierra Nevada. The plan was to travel solo, camp in some fairly deserted campgrounds, largely keep my distance from other visitors, and spend some time photographing the fall color. The word from others who had been there a few days earlier was that the fall color was perhaps better than usual, and I didn’t want to miss it. I headed over the crest at Sonora Pass and almost immediately encountered truly awful wildfire smoke that only got worse as I continue south. Eventually it became tolerable near Bishop, so I headed into the mountains and set up camp.

Photography was fine the next day, as the smoke had thinned a great deal. It was still there, but not oppressive. However, that evening it returned with a vengeance and I spent the night wondering how much damage it was doing to my health. The next morning I was up way before dawn, and I decided to at least try on nearby “sure bet” subject, where I had thought about photographing from a particular location in ways that might minimize the visibility of the smoke. I arrived and, sure enough, it was smoky, though less awful than the night before. I set up above the lake behind this beautiful pair of aspens, and mostly composed in ways the eliminated the long views, instead comprising the warm orange and reddish tones of the aspens with the cool, blue colors of the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Birds, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Landing in Fog

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Landing in Fog
Geese land in morning tule fog, California Central Valley.

Landing in Fog. © Copyright 20202012G Dan Mitchell – all rights reserved.

Geese land in morning tule fog, California Central Valley.

Back when I first began photographing this subject, I tended to think of these conditions as being barely worthy of photographing. Challenges abound — it is hard to stop the motion of flying birds when using a long lens in low light, the thick fog often renders the birds invisible, and it can be cold and wet! But over time my perspective shifted and I came to hope for conditions like these at the start of a day of bird photography.

Finding the birds in these conditions can be something of a challenge. Often I’ll hear them — many thousands of them — somewhere out there in the fog. But the birds are too far away to be visible, aside from an occasional outlier that quickly appears in the mist and is gone just as fast. So we move on, hoping that we’ll eventually find a spot where the birds a close enough or that the fog will eventually thin a bit. On this morning we had traversed almost the entirety of this location before we came upon a huge flock very close to the gravel road. We stopped and watched quietly as the first came and went.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Birds, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Sudden Flight

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Sudden Flight
A flock of Ross’s geese takes to the air at the end of the day.

Sudden Flight. © Copyright 2012 G Dan Mitchell – all rights reserved.

A flock of Ross’s geese takes to the air at the end of the day.

As an afternoon of migratory autumn/winter migratory bird photography runs on into sunset and then twilight, it is inevitable that there will eventually be too little light to photograph the way I might during the daytime. But I usually continue until it is virtually dark — to the point that I may need a headlamp to stow my equipment when I finish. During that final low-light period I often end the cycle of increasing ISO and pushing shutter speed, and instead I drop ISO down to the minimum and let the exposure times lengthen, allowing me to work with motion blur from birds in flight.

We had positioned ourselves near a large flock of geese in a pasture, and they were gradually become more restless, beginning to take off in small groups and depart for parts unknown. Groups tend to depart together, and as they do they rise, with little or no warning, en masse and take to the air. It is hard to say what makes a photograph “realistic,” but I often feel that these masses of blurry birds may suggest the quality of these departing flocks at least as truthfully as stop-motion photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.