Category Archives: Photographs: Sierra Nevada

Two Aspen Trees and Cliff

Two Aspen Trees and Cliff
Two autumn aspen trees against the rocky face of an Eastern Sierra Nevada cliff.

Two Aspen Trees and Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.– all rights reserved.

Two autumn aspen trees against the rocky face of an Eastern Sierra Nevada cliff.

This is another photograph that isn’t quite totally new. Some years ago I made several exposures of this little scene, with the two trees with fall color backed by the rocky cliff face. (To be sure, this was not the only time I photographed these trees — this is a favorite spot of mine in the right conditions.) But This one is just a bit different than the earlier one — a very slightly different position, I think, and a different crop, plus some refinement of how I approached the post processing.

I sort of wonder if it may be too early to start sharing fall color photographs. Ah, heck, no! Never too early for that! In fact, my mind is typically on at least three seasons at a time anyway. First, the season that just passed and from which I still have raw files to process. Second the current season because, well, that’s obvious, right? Third, one season beyond the current one — because I always have slightly longer term plans running in the back of my mind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunrise in the Buttermilks

Sunrise in the Buttermilks
Autumn dawn light on the eastern escarpment of the Sierra Nevada above the Buttermilks.

Sunrise in the Buttermilks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn dawn light on the eastern escarpment of the Sierra Nevada above the Buttermilks.

This is a sort of new/old photograph. A question from a friend about the time period when I made it prompted me to make a return visit to some older photographs from that time. When I came to this on in my raw file archive I knew it looked familiar, but the raw file itself appeared to be little changed from the downloaded default settings. I soon realized that I had worked it up before, but using some older software and without using some techniques that I now apply on a regular basis. So it was back to the drawing board to come up with a newer interpretation that I like more than the old one. (I’m with the many other photographers who regard the original — whether it be a raw file or a film image — to be the score, not the only possible performance.)

It occurs to me that the title might well perplex some folks who are not familiar with this area of the eastern Sierra Nevada. “The Buttermilks” is (are?) an area of fascinating rock formations at the base of the Sierra above Bishop, California. Long a favorite location for climbers, I’m surprised that it hasn’t attracted more photographers. It isn’t that hard to get to, though to fully explore it you are going to have to drive on some gravel backroads and likely do a bit of hiking. I made this photograph on an autumn morning when I was in the Sierra to photograph fall color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Boulder and Cascade

Boulder and Cascade
“Boulder and Cascade” — A subalpine brook cascades over rocks and past a small boulder.

No landscape photographer I know is quite able to completely resist the lure of photographing moving water cascading over rocks. I can imagine quite a few reasons for this. The miniature landscapes in Sierra creeks like this one hold an infinity of potential compositions. Unlike so much of the landscape, the water is in constant motion, to the point that one almost needs to make many exposures to get it just right. There are interesting technical questions to resolve, including just how much blur is the right amount.

Beyond all of that photographic stuff, these streams are just fun places to spend some time. Many years ago I still took fishing gear into the backcountry. I stopped once I realized that I didn’t need the excuse of fishing in order to justify time spend wandering up and down these creeks, with their attractions of wildflowers, green plants, and the constant sound of moving water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Stream and Peak

Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.