Category Archives: Photographs: Southern California

Desert Mountain Ridges

This is one of those “photograph the thing you did not go for” photographs, seen while mostly focusing on an entirely different subject. I was in Death Valley partly because I go there every year at about this time, and partly to photograph the rare reappearance of Lake Manly. (This lake reformed following heavy rains in the desert starting late last summer.) On this morning I went to a point high above the valley to photograph the broad setting of the lake and to use long lenses to isolate details. But the lake is nowhere in this photograph…

… because this scene was in the opposite direction! I arrived well before sunrise, and while I waited for some of that sun to arrive in the valley the horizon to the east put on a spectacular show. Obviously the pre-dawn sky was impressive with its intense and varied colors. But the vast area visible from this point produced beautiful atmospheric recession over the layered ridges stretching into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Sky and Haze, Death Valley

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Sunrise Clouds, Searles Valley

This photograph was a bit of an accident, an example of switching gears to take advantage of an unexpected opportunity. I had stayed in Ridgecrest, California the night before, with a plan to leave very early and photograph the Trona Pinnacles at sunrise. I’ve been there many times, but I have never quite gotten the light I was hoping for, and I thought this might be my chance. But I arrived to find clouds, lots of clouds! It was apparent that I wasn’t going to get the sunrise light on the pinnacles that I hoped for. However, interesting things were happening in the distance.

The highest peaks of the Panamint Range are visible to the north, including Telescope Peak. This mountain is the highest in the Death Valley area with a summit at over 11,000 feet. Lenticular clouds were forming above the ridge and soon colorful sunrise light began to reach them, producing a striking contrast with the dark mountains and more distant clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Shadows on Dunes

Shadows on Dunes
Morning shadows lie across Death Valley sand dunes.

Shadows on Dunes. © Copyright 2023 G Dan Mitchell.

Morning shadows lie across Death Valley sand dunes.

Yes, I know. More dunes. As I wrote earlier, it is almost impossible to visit Death Valley National Park and not photograph sand dunes at least a little bit. To be sure, they comprise only a small portion of the park, and there is much more to see there. But they are a compelling subject, with infinite variations of light, texture, form, and color. I photographed these in the early morning just after sunrise when the shadows were still long.

While photographs often show the actual features and forms of the dunes, photographers “interpret” the subject, too. We seek out the most fascinating bits and pieces, the best light, and then we go to work to present them in the most interesting and appealing way. Here I wanted to show the directionality of the early light, but also maintain at least some details in the deep shadow areas.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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