Category Archives: Photographs: Southern California

Dune Shadow

Dune Shadow
“Dune Shadow” — A plant stretches out from the shadow of late-day light on sand dunes, Death Valley.

On some of my Death Valley visits I photograph dunes many times — at dawn and at sunset, and especially if there is a dust storm or interesting clouds. But on this trip I really only made one serious foray into the dunes, since other rarer features distracted me — most notably the reemergence of a remnant of prehistoric Lake Manly. But it wouldn’t have seemed like a real Death Valley visit without at least one dune adventure.

I made this photograph late in the day, just before the shadows of the Cottonwood Mountains angled across the valley and” dimmed the lights.” (No matter how many times I photograph there, I am still always surprised by how quickly this happens.) Despite first appearances, things do live in the sand, and here an old plant (barely) grows in the shelter of a small dune. Beyond, more dunes stretch across the valley floor, then a gravel fan rises toward desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Mountains and Lake Manly

Desert Mountains and Lake Manly
“Desert Mountains and Lake Manly — Morning light on desert mountains with flow patterns in the distance.

This photograph might be a bit disorienting. I wonder what you see at first? Some desert mountains with an unusual sky in the background? But what to make of that white area at the far right? And then, what kind of “sky” are we looking at? If I’m right, at some point you might have a bit of difficulty putting all of these elements together into a whole that makes sense. There is an explanation…

I photographed from a ridge-top location in the mountains east of Death Valley. Although my initial goal was to photograph some other distant mountains at sunrise, I stuck around as the sun climbed higher. Eventually it was high enough that it began to illuminate the outcroppings on the slopes below me. Their contours lead down to the eastern edge of Death Valley and, this year, the shoreline of Lake Manly. That “sky” in the photograph is a shallow section of the lake, and the streams are submerged channels.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Afternoon Light, Lake Manly

Afternoon Light, Lake Manly
“Afternoon Light, Lake Manly” — Light beams above the snow-capped Panamint Mountains and Lake Manly.

These beams of light — sometimes known among photographers as “God light” — are a common afternoon feature in Death Valley. The valley runs roughly north-south, and there are tall mountain ranges on either side, with summits rising up to 11,000’+ at Telescope Peak on the west side. Consequently, direct sunrise and sunset are blocked from much of the valley floor, However, some time after sunrise and before sunset the light passes though canyons and gaps in the mountains, and this is the effect when it illuminates atmospheric haze.

If you visit Death Valley, it s good to keep this geography lesson in mind, since it can affect your experience and photography potential. If you want to photograph sunrise/sunset, you can see sunlit peaks on west side mountains in the morning and the east side mountains late in the day. If you want light down in the valley, you’ll have to find it a bit after sunrise and well before chronological sunset. What to do in the middle of the day when the sun is harsh? I like to head for canyons, the deeper and narrower the better!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Meandering Channels

Meandering Channels
“Meandering Channels” — Water flows across the salt playa through meandering channels in Death Valley.

Viewed up close from the valley floor, Death Valley is a mostly flat place blanked by tall mountains. But the details of its huge playa are largely invisible unless you travel off the paved roads and out into it. But even there, the flat terrain makes it difficult to fully understand the landforms. To do that you are better off heading to some place high above the valley and looking down into it from above.

I went one such place very early in the morning, and from there I watched the first rays of sunrise light strike the peaks of mountains across the valley, then work their way down to the valley itself. Eventually the shadows contracted and the full valley was in sun, revealing remarkable patterns of land, salt deposits, and meandering seasonal streams.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.