Category Archives: Photographs: Structures and Objects

Photographs: Architecture, Photographs: France, Photographs: Structures and Objects

Windows And Hallway

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Windows And Hallway
A hallway with alcove windows, The Louvre, Paris

Windows And Hallway. Paris, France. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A hallway with alcove windows, The Louvre, Paris

In Paris we, of course, visited the Louvre. We had a day, and that was not nearly enough. A week might be about right. We managed to view one floor of one wing, and then quickly visit a few other areas. We mostly saw older work including some of the major classics for which the museum is known, but later in the day we briefly explored some areas that aren’t perhaps the typical things that American tourists look for there.

This was a day of interesting outdoor light. There were clouds, sometimes thick and sometimes thinning enough to produce directional light. As we passed through this hallway the light was softly directional and even though the architecture here was modern and somewhat plain, the light attracted me and I stopped to photograph this row of windows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Ghost Towns, Photographs: Nature, Photographs: Structures and Objects

Abandoned Stamp Mill

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Abandoned Stamp Mill
“Abandoned Stamp Mill” — An abandoned water-powered stamp mill high in the Panamint Range, Death Valley National Park

It seems that every national park or monument has both a natural and a human hisstory, or perhaps a story about the relationship between the two. While the power of natural forces (heat, water, geology, and more) is abundantly obvious in the huge, austere landscape of Death Valley National Park, the human history of the place is rarely far from view. It begins with the evidence of people who lived here long before European-origin settlers came, evidence that can be seen in rock art scattered throughout the park, in the recognition that many settlements (current and now-abandoned) have a very much longer history than we may think, and in the native people who still occupy and identify with this landscape.

Perhaps more obvious is the more recent history of those who came to look for mining success. (There are places in the park where extraction still takes place.) Some examples are obvious to the casual visitor, but the more time you spend in the back-country of the park the more you understand that this particular history is everywhere — though not usually as obvious as this example. This stamp mill, built to crush gold ore, is amazing in multiple ways. Perched at the end of high ridge in very remote location, it was powered in the most unlikely manner… by water piped in from a spring over twenty miles away. The location is stupendous, and it is easy to think that practical issues may not have been the only considerations in choosing the site. From here one can look down thousands of feet to broad alluvial slopes leading towards Death Valley, but one can also look further into the distance and see the snow-covered peaks of the Sierra Nevada.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: England, Photographs: Structures and Objects, Photographs: Urban/Street

Storey’s Ltd

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Storey's Ltd
The Storey’s Ltd shop, with prints and maps displayed, London

Storey’s Ltd. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Storey’s Ltd shop, with prints and maps displayed, London

If I recall the circumstances correctly, I quite possibly made this photograph on the evening we attended a ballet performance in London. In any case, this scene is in the neighborhood, and my recollection is that we may have been walking a bit before we went into the theater, first for dinner and then the performance.

I’m not absolutely certain of what attracted me to this little shop, one of many booksellers and similar establishments on Cecil Court off of Charring Cross Road. I’m fascinated by what they sell — old books and, especially, old maps — but we did not go inside. However, from in front of the tiny shop we could look in and see the walls covered with all sorts of fascinating documents.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Flag Makers

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Flag Makers
A complex landscape of steps, columns, braces, windows, reflections, and buildings

Flag Makers. San Francisco, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A complex landscape of steps, columns, braces, windows, reflections, and buildings

I made this photograph near the new, lower level entrance to the remodeled San Francisco Museum of Modern Art (MOMA) during a visit around the start of the new year. The old entrance to the museum has now been augmented by a new entrance that leads into the newly added wing. A large installation fills the space on the very lowest level, and large windows open from there to the surrounding buildings and a stairway leading to the entrance one floor higher.

I love photographing in museums — for the architectural spaces and the people — and I photograph inside and around MOMA every time I visit. Some subjects are immediately obvious but other take a bit longer to figure out. This open area on the lower level is, for me, in the latter category. It immediately felt like a place to make photographs, but it has taken quite a few visits to begin to reveal its potential. This photograph is more or less a study of the many layers and angles found within and outside of this space, including layers of time between the very new museum and the very old brick wall just beyond the stairs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.