Category Archives: Photographs: The Southwest

Slot Canyon Detail

Slot Canyon Detail
“Slot Canyon Detail” — Details of the wall of a Utah slot canyon, illuminated by reflected light.

There is a lot I could write about this photograph, the circumstances of making it, and how it ended up here today. First off, it is an older photograph, made years ago. I periodically revisit my old raw file archives, and I always discover photographs that I left behind. In this case, someone else’s photograph from the Southwest triggered me to review my older work from Utah, much of which is over a decade old. So far, I’ve rediscovered about twenty interesting Utah images from that period. Stay tuned!

The photograph came from a productive expedition to Utah during the autumn of 2014. I started out traveling and photographing solo, but eventually joined up with others as I worked in the southern part of the state for weeks. Early on that trip I almost randomly ended up at this location. I drove down a dirt road that looked interesting, found a place to park, and started walking down a shallow stream bed. The route entered a canyon that soon narrowed and turned into a slot canyon. It was only later that I discovered that I had been in a bit of a special place.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Street Art, Zaragoza

Street Art, Zaragoza
“Street Art, Zaragoza’ – A fanciful female face, street art, Zaragoza, Spain.

I may be misconstruing things that I do not understand, but it seems like some places in Europe tolerate graffiti and/or street art more than in the USA, and perhaps that some of it is a bit more sophisticated than the “tagging” that we see so often here. (Indeed, there is tagging in Europe — even in this image — and there is some fascinating street art in America, too.)

I photographed this detail of a wall in Zaragoza, Spain. I don’t know the cultural reference of the figure, if there is one, but the image caught my attention. I get a kick out of how it is positioned as if the vertical pipe is almost irrelevant — yet the pipe covering that eye does affect how we regard the face.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Old Cottonwood and Red Rock Cliffs

Old Cottonwood and Red Rock Cliffs
An old cottonwood tree, changing to fall colors, stands in front ot a red rock cliff face, Zion National Park.

Old Cottonwood and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old cottonwood tree, changing to fall colors, stands in front ot a red rock cliff face, Zion National Park.

There’s a very good chance that I’ve already said this too many times, but the color palette of the Utah red rock country is simply remarkable. The rocks themselves are astonishingly diverse, ranging from the reddish tones to whites, grays and blacks, and occasionally more exotic colors. The trees and plants, especially as the autumn color change begins, cover a range from grays through greens to yellow, orange, red, and brown. And all of this varies from the bluish tones of early morning and evening through the golden hour saturation and the midday intensity of light. I’ve said it before and I’ll likely repeat myself in the future, but to a Sierra Nevada photographer this can be almost overwhelming.

Early on our second morning in Zion National Park we took a drive that entered the park near Springdale just before dawn. We stopped several times as we began the ascent on the Mt. Carmel highway, first to photograph the intense dawn light and then, a bit later, to photograph this gnarly tree against the backdrop of a shaded canyon wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Young Trees, Zion Canyon

Young Trees, Zion Canyon
Slender young trees growing at the base of the sandstone cliffs in Zion Canyon.

Young Trees, Zion Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Slender young trees growing at the base of the sandstone cliffs in Zion Canyon.

The biggest and oldest cottonwood trees are some of the most impressive specimens in these canyons. They often tower high above their surroundings, and for this reason can be photographed against cliff faces or sky without interference from other plants. They fill sections of canyon bottoms throughout the Southwest and, for that matter, they are found in an amazing range of places in the west, from near desert locations to the flatlands of California’s Central Valley. However, their dominance of the plantscape can sometimes distract from other worthy subjects that do not shout their presence quite so loudly.

These young trees in Zion Canyon have a kind of grace and fragility that contrasts with the solid mass of those bigger cottonwoods. The branches of these trees are slender and they move in the breeze. (Which, by the way, adds a particular challenge to photographing them in very low light.) The soft canyon light reflecting down from far above almost makes them luminous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.