Street art in a doorway, bouquet of flowers, London street
It has been a very busy day and another busy day is beginning, so this will be a short post today. As we walked past this spot in London on a summer 2013 visit it seemed that perhaps not everyone had been equally enthusiastic about the Olympic Games coming to London…
Brown Pelican in flight above Moss Landing, California
Here we have (yet) another in the continuing quest to get the exactly right pelican photograph. Actually, I’m joking — I don’t know what “the” right photograph would be, and I do know that there are almost infinite variations in these birds and the ways that they can be seen. Each individual looks at least a bit different, and they appear in all sorts of different surroundings: against the sky, against the water, close up or far away, overhead, at my level, below me when photographed from bluffs, midday or golden hour light, how the bird is orientated relative the light source, and on it goes.
This is another of the big group I photographed at Monterey Bay last summer, when the promise of whales surfacing near the shoreline took us there on short notice. Indeed, the whales were there and they were remarkably close to the shoreline. But nearly as remarkable was the absolutely huge number of birds that also showed up, including the pelicans.
Looking towards the Bavarian Alps from the Salzburg Castle
I’ll admit that this photograph has one of the more unusual compositions among my photographs. Late in the afternoon on a summer day, I made the photograph from within an upper courtyard of the Salzburg Castle during our visit to that part of the world a couple of years ago. We were actually staying in Bavaria, in the portion of the distant mountains that is in Germany, but we arrived by train in Salzburg, departed the same way, and managed to travel down to the flatlands and visit the city on a couple of other occasions.
The castle is a spectacular place, located on the high ground above the old town and a bend in the river and having a commanding view of the surrounding flatlands and all the way to the mountains. As impressive as it is to us today, it must have been far more impressive when it was built. From this vantage point I was just able to see over one of the upper walls toward the mountains, and the backlit, hazy sky glowed. I suppose that the photograph is all about shapes, mostly abundant rectangles, but also the triangular shapes of the roof of the white building. The mountains echo those shapes, but inverting the tones — where the white buildings are the lightest things in their part of the image, the mountains are the darkest things in the upper rectangle holding the distant landscape.
Walking up Market Street in San Francisco I was watching out for anything that could be photographically interesting — architecture, people, vehicles, light — when I looked down and saw this little vignette of… not much at all really. Perhaps someone had been cleaning the street earlier, and now a puddle of water covered some sidewalk bricks and flowed over the gaps between others.
I stopped, more or less in the middle of the sidewalk, likely forcing a few people to take a path around me or perhaps just wonder what I was photographing with my camera pointed straight down. What I saw was, first, the water itself. Then I saw the narrow vertical band of lighter tones, where there was a break between reflected buildings. I only paused for a moment to make a couple of exposures, and then I continued on.
G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
