Photographs: Europe, Photographs: France, Photographs: Night, Photographs: Travel, Photographs: Urban/Street

Place de la Comédie, Montpellier.

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Place de la Comédie, Montpellier.
“Place de la Comédie, Montpellier.” — Place de la Comédie, the central square of Montpellier, France, on a rainy winter evening.

Summer travel to many popular destinations has become so common that the crowds can be close to unbearable. There are ways to compensate — go to smaller, less-well-known cities, travel during shoulder season, or just go straight to the off-season. We did the latter on our last big trip, visiting Germany, France, and Spain around the winter equinox. Of course, you need to be prepared for the weather — shorter daylight hours, cold, and a good chance of precipitation.

Speaking of the weather, we arrived in Montpellier, France in “gently inclement” weather. It was cold — though not like in Germany — and it rained. But this wasn’t the sort of rain that might pin you down in your hotel — it was gentle, and an umbrella and rain jacket were enough protection to go out and wander. Our first stop (but far from our last) was the Place de la Comédie, a popular square in the old part of the city.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands Detail

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Badlands Detail, Death Valley
“Badlands Detail” — Photograph of details of badlands gullies in soft morning light, Death Valley National Park.

The pink color of the formations in this photograph was a big part of its appeal. It was early morning, and the direct sunlight had worked its way back across the valley to the tops of ridges nearly, and the light’s warm color washed over the nearly-white material of these ridges and valleys. Again, the Death Valley landscape, which can be rather subtly colored, served as a canvas for the effects of colorful light.

The location is at Zabriskie Point — I’m not giving away any secrets by mentioning this well-known location. It is one of the two or three most popular places in the park to view the sunrise. It was an unanticipated turn of events that brought me to this location, and I was originally going somewhere else when I set out before dawn.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: France, Photographs: People, Photographs: Travel, Photographs: Urban/Street

Woman in Red

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Woman in Red, Paris
“Woman in Red” — A woman in red pauses to look at a shop window in Paris.

I thought of calling this “Paris Style” or similar, but to be honest, in many ways Paris style isn’t all that much different from what we see in other cities… and that title might just be falling for a common stereotype. (Note the red beret, for example.) Nonetheless, this rather stylish woman caught my attention, in her striking red outfit.

It was a very cold day in Paris, and we were out for a lengthy walk back in early December. I think that I made the photograph in or close to Le Marais, the well-known central Paris district with the narrow old streets — in contrast to typically more modern streets elsewhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes and Distant Hills

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Dunes and Distant Hills, Death Valley
“Dunes and Distant Hills” — Death Valley sand dunes and distant desert hills in morning light.

The photograph’s title includes the words, distant hills.” But just how distant are they? From my position as I made this photograph, once I got to my vehicle, it would be a roughly 10 mile drive to those hills. Distances (and sizes) can be very deceptive in this park where we often experience huge vistas with features many miles away.

I made this photo near the end of the morning’s work. I had started before dawn, both to photograph in the soft predawn light and because I wanted to be in place for the arrival of the first direct sunlight. When that arrives, things transform very quickly. At first the color-saturated light hits only the high points, but as it increases the light works down onto and around other features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.