Courtyard, Edinburgh Castle

Courtyard, Edinburgh Castle
“Courtyard, Edinburgh Castle” — Visitors in a courtyard at Edinburgh Castle.

Edinburgh Castle dominates the view in the popular, touristy part of Edinburgh — the Old Town and New Town Areas. It is in the former, at the upper end of the “Miracle Mile” that stretches up to it from Holyrood Palace. Yes, it is a tourist attraction now, but it is also a “must see” spot. It comes with a lot of important Scottish history, and it provides great views of much of Edinburgh.

Once you enter the grounds of the castle, your path generally ascends toward the upper structures by following a rough counter-clockwise loop. As you ascend the views become even more striking, particularly in that they now include the structures of the castle itself. I made this photograph from that upper level, looking down and across a courtyard and lower buildings and beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Blue Stone Vortex

Blue Stone Vortex
“Blue Stone Vortex” — Curving and intersecting fractures in Sierra Nevada rock under stormy skies.

While I’m often drawn to the large scale landscapes, intimate landscapes appeal to me, too. The big photos do give the grand perspective of the landscape, but I think that images of smaller elements and components of the larger scene can tell us just as much about a place. And their sometimes-abstract nature lets us see the landscape in new ways that we perhaps had not thought of.

The grand landscape was not cooperating when I I photographed these rocks. It had been raining and it was still very cloudy. Are the rocks really this color? That’s a good question! The landscape looks different under various sorts of light, and often our vision system “corrects” for this and we do not notice it. I knew that the overcast was having an effect, but until I opened this photograph (and others made at the same time) in post, I had not realized just how blue the light was. Sometimes I “correct” these strong colors, but this time I decided to go with it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Carpet of Color

Carpet of Color
“Carpet of Color” — A nearly unbroken carpet of colorful autumn trees in New Hampshire.

As I have shared New England fall color photographs you may nave noticed that I often contrast that spectacle with my more familiar western aspen groves. One of the main reasons I made this photograph was practical — I wanted to illustrate just how significant that difference is. Aspens in California tend to cluster in relatively small and separate groves. Even the larger groves are typically surrounded by conifers, scrub, or open terrain. In autumn, the effect is often to produce small areas of color set off against areas with little or no fall color.

This photograph illustrates the difference in New England. I made it near a high point on New Hampshire’s “Kancamagus Scenic Byway, ” among the most popular places for viewing East Coast autumn color. You are looking down at a hardwood forest full of different trees of different colors. And the trees shown here are a tiny fraction of the forest that was spread out before me, rising from valleys toward the high ridges — with almost everywhere the same wild blanket of colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake, Ridges, and Haze

Lake, Ridges, and Haze
“Lake, Ridges, and Haze” — Hazy morning light on ridges, cliffs, and a subalpine lake, Sierra Nevada.

It is fair to say that I got a lot of photographic mileage out of this view during our stay here a few years back. I’ve shared numerous photographs of it, though in different formats, times of day, and conditions. Despite the presence of so much other visual material, it dominated our consciousness. I suppose that part of the reason is that it was within minutes of our campsite, but it is a remarkable setting, too.

I photographed this version in the morning. At the start of our visit we had quite a lot of rain, but that diminished later on, and the sky was mostly clear on this day. The view looks roughly northeast, so the sun was just clearing the ridges out of the frame to the right. This light, coming in at an angle, illuminated the atmospheric haze and emphasized the atmospheric recession of more distant ridges. It also produced what almost looks like rim light on the exposed places on the face at the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.