Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Little Paradise

August 21, 2012 G Dan Mitchell Leave a comment

Street scene in front of the Little Paradise market on Stockton Street, San Francisco.

This area along Stockton street is one that I often pass through when walking around in San Francisco to shoot street scenes and architecture. It is one block up from the more familiar and touristy section of the City’s China Town area, and I think it is altogether a more interesting place to go. The street and sidewalks – especially the sidewalks! – are often bustling with activity, and it can be difficult to make my way. Fortunately, I’m rarely in a hurry here, and I’m content to move along at whatever the pace may be.

There is much to see here. Obviously, it is a place with its own strong cultural identity – one that has long been important in San Francisco – and, as such, here more than on Grant Street, I feel like a visitor and an outsider. For those of use who live in the suburbs (I’m in the South Bay) the density of people and things is quite different. There are all sort of markets up and down the street – like the “Little Paradise” market on this corner – and the storefronts are lined with displays of products including a lot of produce. Stuff is even stacked right at the curb, and trucks are often stopped to unload palettes of products. And above the street level world of the sidewalk and the markets, it seems that there is another world of apartments – sometimes with windows open and often festooned with drying laundry.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Ocean & Coast

Rocks and Surf, Point Lobos

August 20, 2012 G Dan Mitchell Leave a comment

Long exposure black and white photograph of offshore rocks, surf, and fog at the Point Lobos State Reserve, California

This photograph is from last summer and a visit to Point Lobos when I decided to work with very long exposures in daylight muted by coastal fog. A set of these photographs has sat in my raw file collection since then, as I wasn’t quite sure how I wanted to render them in the post-processing stage. I used a 9-stop neutral density filter to darken the scene a great deal and permit the very long exposure that allowed the surf to blur and become diffused. However, these filters invariably have an effect on color balance that is not very lovely – they add a slight almost purple cast to the image. As I thought about them as color images, I could not find a color balance that worked – so I put them aside.

Last week, spurred by another rapidly filling hard drive, I began to go through more of my older raw files to see what could be deleted. Indeed, there were quite a few files that could go – duplicates, errors, some images that really will never live up to what I had expected them to be. But as I do every time I engage in this activity, I found several photographs that I had either overlooked originally or which needed to be processed in ways that I hadn’t thought about at the time. It occurred to me that this one might become one of my “minimalist seascape” photographs if I went for a high key interpretation in black and white.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stories

Getting Skunked at Point Reyes

August 19, 2012 G Dan Mitchell Leave a comment

Yesterday I got sort of “skunked”* at Point Reyes National Seashore – yet, again. ;-)

I get to shoot there from time to time – a beautiful and interesting place that is not so far from me that I can’t drive there and back in a day. I find it fascinating in many ways, but also a bit difficult to get my brain around how to photograph it. While I can show up in the high Sierra – that region from the lodgepole forests well up above timberline – and almost immediately find a wealth of subjects, at Point Reyes I have to search and look a lot!

There are, I think, several reasons for this. Frankly, a place like Point Reyes, as spectacular as it can be in the right places and at the right times, often does not call attention to itself in the same ways that some more dramatic landscapes do. Much of the park is covered with a low, dense forest, and other places are largely bucolic and grass-covered hillsides. I love the beaches and the estuaries and inlets, but they tend to offer peaceful quiet more than stunning features.

A part of it is the need to know where, when, and how to look. A few weeks ago I hiked on a long trail past the of the estuary areas, on a day that was mostly foggy. At first, it was difficult for me to see any photographs in this particular landscape, even though I like the fog and enjoyed being there. Liking a place and seeing how to make photographs of it can be quite different things. However, on that afternoon and evening I did get the sense of this landscape enough to make a few photographs that I believe “work.” They are not necessarily the photographs I thought that I would make, but instead photographs that I found as I spent more time just looking and getting the sense of the place.

I also have to get lucky and/or change my expectations at Point Reyes. The weather there is, as is often the case on the Pacific coast, quite variable. Yesterday, on one side of main ridge along Tomales Bay the sun was out. But I could see that further north there were wisps of fog, and I started developing some ideas about photographs that might include sun and perhaps a bit of fog. But when I crossed the ridge to go to Limantour the fog line was just inland from the coast and those ideas were not possible. I did make some photographs – and I think I’m going to like at least a few of them – but I also spent a lot of time walking and looking and not photographing, just enjoying the foggy atmosphere (which, when the wind came up, reminded me of the coming winter) and the sounds.

* For those who might not know, “skunked” is an American English idiom that essentially means “defeated or frustrated,” though in a manner that might be a bit self-deprecating and perhaps humorous.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Corner View, 50 United Nations Plaza

August 19, 2012 G Dan Mitchell Leave a comment

The curved architecture of the corner of the building at 50 United Nations Plaza, San Francisco.

This building is located in the Civic Center area of San Francisco. To the east of City Hall – the opposite side from the Opera House, a place with which I am more familiar – is a large plaza, and beyond that as you might walk toward Market Street you may pass by this building, with its classic architecture.

I’m not familiar with the history of the building, though I assume that it might be in some way related to the United Nations Plaza. The building, which occupies most of a block, is currently being refurbished, and portions at the far end of the building are fenced off. This corner, with its columns and curving shape, seems quite formal, especially when juxtaposed with the rest of the City life in this particular area.

G Dan Mitchell Photography

Little Paradise

Rocks and Surf, Point Lobos

Getting Skunked at Point Reyes

Corner View, 50 United Nations Plaza

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.