Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Last Light, Mount Conness

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Last Light, Mount Conness
Last Light, Mount Conness

Last Light, Mount Conness. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

The final evening alpenglow illuminates the summit ridge of Mount Conness and the west face of Medlicott Dome in the Yosemite National Park high country.

This will be my final photograph of Mount Conness from the evening of June 18, the day that Tioga Pass Road opened this year and the day of one of the most spectacular Yosemite high country sunsets in recent memory. It will be the final both in the sense that I think I’ve now shared the best of the group of images of this sunset and in the sense that it was literally my final exposure of the evening.

The short back-story is that what started out as a fairly unimpressive evening (at least in the photographic sense) transformed over a short period into something extraordinary as the sun dropped to the horizon west of the Sierra and illuminated the clouds from below, creating rare and very special alpenglow conditions over a wide area of the Sierra. (During the week that followed quite a few people commented on this amazing light, which they had witnessed from locations as distant as Mono Lake on the east side and the Central Valley to the west.)

When I made this photograph the show was coming to an end. At this point the sun had already set a few minutes earlier – the exposure was made around 8:45 p.m. – and the light was low enough to require a six-second exposure. While it may seem like Mount Conness (the tallest peak near the left on the skyline) and other features are receiving direct sunlight, this is actually the remaining post-sunset glow in the western sky.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Commentary, Locations

Photographing Death Valley – Part 2

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NOTE: THIS IS NOT A FINISHED POST – IT IS A WORK IN PROGRESS…

(This article is an experiment in web publishing. Rather that keeping this article hidden until it is finished, I’m going to make a link to this draft version available and let folks watch it evolve and even comment if they are so inclined. With that in mind, a few assumptions going into this:

  1. Since this is a draft version of a work in progress, there are no guarantees of accuracy!
  2. Material that appears in the draft may or may not appear in the final version – heck, it may change while you are viewing it!
  3. Helpful comments are welcome and even encouraged. For various reasons – including a desire to control the length of the final piece – I can’t guarantee that I’ll respond to or include all contributions.
  4. Since my approach to writing is often to spew lots of words and go back later to trim (some of) the excess verbiage, excuse the inevitable “wordiness” of the draft.
  5. If this works, I may try it with future posts. If it doesn’t, I might change my mind about this one!
  6. When the (what passes for) final version of the post is created, the material at this URL may disappear and it will become available at a new URL.

Thanks,

Dan)

This material is current unavailable while revisions are underway. Thanks for your understanding…

Also, more (but not all!) of my Death Valley photography is found here:https://gdanmitchell.com/gallery/v/NaturalWorld/TheLandscape/Desert/DeathValley/

Site News

Fasten Your Seatbelt – I’m Going to Try a New Theme… or Two

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The blog theme that I’ve been using here for some time is so old that it apparently does not support some current wordpress features that I want to use. While there might be ways to work around this situation, given enough code hacking and patience… I think I may just try moving to a more modern theme.

Over the next day or so, things may change in strange and complicated ways. I hope that any problems are temporary, and I’ll keep the current (or old, if you are reading this after the update) theme around in case I need to make a hasty retreat!

And, no, the photograph of a lake shore that shows up by default in the header is not my photo – I hope to fix that very soon!

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Mist, Trees, and Boulders – Cascade Creek

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Mist, Trees, and Boulders - Cascade Creek
Mist, Trees, and Boulders - Cascade Creek

Mist, Trees, and Boulders – Cascade Creek. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Mist and spray from spring runoff fill the air in the boulder-strewn canyon of Cascade Creek, Yosemite National Park.

Making this photograph was an “interesting” experience! I visited Cascade Creek on June 18, probably near the peak flow of the spring runoff season, and the creek was a full-blown torrent. After photographing some familiar rock formations below the bridge that crosses the creek, I decided to try a photograph from the upstream side of the bridge. In this direction, the creek is more or less half waterfall and half cascade as it plunges down a very steep and narrow section of the hillside. The whole scene was in deep shade and mist and spray filled the air.

I made a guess that a 135mm lens might give me a tight enough framing of the scene, so I briefly stepped away from the creek and the spray-filled air to switch lenses. Leaving everything else behind, I took the camera, tripod, and this single prime lens and walked to the wet side of the bridge. There was enough spray that I and my gear began to get wet pretty fast, so I worked quickly. I got everything in what I figured would be about the right position before I uncovered the lens, then quickly uncovered and finalized the composition and manually focused. I knew that I couldn’t really stay in this spray all that long so I spent a couple minutes bracketing a series of exposures as the mist surrounded me, hoping that water on the lens and in the air in front of the camera would not interfere with the shot.

The main decision was about shutter speed and with other decisions regarding aperture and so forth to follow on that. The idea was to use a slow enough shutter speed to allow the water to blur a bit, but not so slow as to turn it to formless mist. I managed to get to a 1/5 second exposure by shooting at f/20, an aperture a bit smaller than I would typically want to use, as apertures smaller than about f/16 can begin to introduce a bit too much diffraction blur. But in a shot like this one where mist is obscuring a great deal of the detail anyway, that seemed like a reasonable compromise that let me lengthen the shutter speed just a bit.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.