“My Photos Are Soft!”

So, you have a camera or lens that you think is not as sharp as it should be. If you are already expert at these things, what follows is not for you – you already know how to analyze the problem, you can anticipate possible causes, and you know some of the pitfalls of looking at the issue in unrealistic ways. But if you aren’t certain about how to deal with the issue, perhaps the following might help… so feel free to read on.

Perhaps you just got a new lens or a new camera and you don’t think it is performing as you expected. Or perhaps you have long suspected a problem with your equipment. On the other hand, maybe some gear that you have used with confidence for a while seems to not work as well as you recall it working in the past. It can be tempting to blame the equipment – and in some cases you may be correct – but it is a very good idea to first try to analyze and understand the problem and look for other possible causes… and solutions.

It is critical that you try to control the variables that might give rise to the issue, and then to try to a) determine if the problem is real, and b) figure out specifically what might be the cause. The range of possible causes is larger than you might imagine: problems with the camera’s autofocus (AF) system, an out of adjustment or “weak” lens, less than optimal choice of lens settings, issues with camera stability, insufficient care with the use of AF, using the wrong AF settings, aperture choices, shutter speed choices, subject motion, and more. While a real equipment problem is a possibility, it is probably at least as likely that the problem lies elsewhere. Fortunately there are ways to wade through this minefield and develop some rational understanding of what is going on.

What follows is a sort of ad hoc description of how I might approach this. It is not meant to be the only way to deal with such issues, it leaves out some possibilities, and the sequence could be changed around in some ways. Continue reading “My Photos Are Soft!”

Playa Surface, Panamint Valley

Playa Surface, Panamint Valley
Playa Surface, Panamint Valley

Playa Surface, Panamint Valley. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Cracked and dry surface of the playa in Panament Valley, Death Valley National Park.

This micro-scene could be found in many locations in Death Valley and, for that matter, in many places in the USA and around the rest of the planet. But my little rectangle of the patterns of drying and cracked mud comes from the surface of the Playa (sometimes called “Panamint Lake?”) in upper Panamint Valley in Death Valley National Park. I wrote previously that it was the last day of my late-March photographic visit to Death Valley – I had finished my photography in the main Valley and had started the long drive back to the Bay Area. After crossing Towne Pass the road descends into Panamint Valley to a junction where I most often go south towards Trona and Ridgecrest and beyond.

Just before this junction the road crosses the playa, an extraordinarily flat surface formed when silt washed down from the surrounding mountains occasionally pools and gradually dries, forming what may be the flattest surfaces on the planet. As the moisture evaporates the mud cracks and splits into these interesting semi-geometrical patterns.

For no particular reason other than that this is a spot where I often make one final stop before leaving the park, I pulled over and wandered out onto the playa. I enjoy walking on these often-immense flat surfaces, but there is something very odd about the experience, too. Perhaps it is the slightly odd feeling of walking on such a large floor-flat surface in the natural world, or it might be the deep silence and stillness. In any case, as I wandered around not too far from the road I started looking a bit more closely at the patterns of cracks and soon decided that my photography was not quite finished yet – so I went back to the car to get my camera and made a small series of hand-held photographs with the camera pointing straight down. (The “straight down” shooting raises a question: How should the photograph be oriented? The horizontal orientation shown here is what I saw as I made the photograph… but I also wonder about rotating it 90″ clockwise.)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backpacking and Photography – a Quick Link

I often field questions about doing photography while backpacking – what equipment to take, what to not take, how to carry it all, and so forth. I’ve been a Sierra Nevada backpacker for a long (really long!) time, and I do a fair amount of my photography while on the trail for periods ranging from a single day up to a couple of weeks.

This is time of year when many of us find our thoughts turning to the coming back-country season… and how to incorporate photography into that experience. I’m not going to go into all of the details in this short post… but I have previously posted about my own backpacking photo gear, and I’m sharing that link again for those who might be interested.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Steel Towers, Night

Steel Towers, Night
Steel Towers, Night

Steel Towers, Night. Mare Island Naval Ship Yard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Massive steel towers stand against the night sky at Mare Island Naval Ship Yard.

This is a vertical format photograph of the same series of overhead ship yard structures that I posted in horizontal format recently. As in the other, the illumination comes from very warm (verging on orange-yellow) light from nearby security lights in the shipyard. As a result the extremely hot colors of the metal structures are juxtaposed with the relatively cooler colors of moonlit night sky on this full moon night.

The structures, along the shoreline at the historic Mare Island Naval Ship Yard, were apparently used to move heavy ship components between nearby shops and ships along the waterfront. As I understand it, the yard has been out of commission for about a decade and a half at this point, and the huge mechanical/industrial structures are showing the effects via peeling paint and rust.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.