Glacial Erratics and Trees, Lembert Dome

Glacial Erratics and Trees, Lembert Dome
Glacial Erratics and Trees, Lembert Dome

Glacial Erratics and Trees, Lembert Dome. Yosemite National Park, California. June 5, 2010. a© Copyright G Dan Mitchell – all rights reserved.

Glacial erratics and trees at the base of Lembert Dome, Tuolumne Meadows, Yosemite National Park.

This photograph was made last spring in early June, when I drove over Tioga Pass on a quick one-day jaunt right around the time that the road was re-opened for the season after its annual winter closure. The road opened a bit later than usual in 2010 due to above average and late snow fall, and when I crossed there was as much or more snow than I recall seeing up there.

This was one of my marathon drive days. I started well before dawn in the San Francisco Bay Area and arrived in Yosemite in the very early morning and without any concrete plan – except that the ideas of visiting waterfalls and possibly getting up to Tioga Pass were on my mind. I did stop near the Valley first, where I made a series of photographs of Cascade Creek in virtually full flow. After doing this and making a very brief visit to the Valley, I decided to visit the high country along Tioga Pass road. I went just over the pass before turning back. There was so much snow still around that in most places it still looked much more like winter than like early June.

I finally started heading back to the west, as my plan was to return late to the SF Bay Area. As I left the pass and started down toward Tuolumne Meadows the light began to get “interesting” as the sun dropped lower in the west and some high clouds occasionally softened the light. As I drove past Lembert Dome I thought of photographing these glacial erratics that sit on the apron at the bottom of the dome before making one last stop to photograph snow-covered Tuolumne Meadow in the day’s last light.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Review: “Light & Land” by Michael Frye

Over the past few weeks I have had the chance to go through Michael Frye’s new ebook, “Light and Land: Landscapes in the Digital Darkroom.” Many are no doubt already aware of Michael’s reputation from his photography, his workshops, and his other publications including his “Photographer’s Guide to Yosemite” and “Digital Landscape Photography: In The Footsteps of Ansel Adams and the Masters.” I have the .pdf version of “Light and Land”, and I understand that an iPad app version may also be available.

Light and Land - Michael Frye
Light and Land - Michael Frye

It is typical for photographic “how to” books to focus on specific techniques, and to be organized around a presentation of these techniques – perhaps with a section on curves, a section on black and white conversion, and so forth. This approach has its place, especially for certain types of learners and at certain points in the learning process. It is important to understand the basic techniques and operations that are available in the “digital darkroom” of such programs as Photoshop, Lightroom and so forth. That said, the bigger and more important issue is how to call upon these techniques creatively and effectively and appropriately in order to make photographs. Not all “how to” books do an effective job of illustrating this.

Michael’s “Light & Land” takes a different approach, and one that more accurately and realistically reflects the thought process of a photographer who is calling upon this arsenal of techniques in the service of creating beautiful photographs.  He writes:

“The digital darkroom gives us tremendous control over our images. We can make them lighter, darker, add contrast, change the color balance, increase saturation, turn a color photograph into black and white, remove telephone poles, blend exposures with HDR, combine ten images to capture infinite depth of field, or put a winged elephant in the sky.

But what do we do with these choices?” Continue reading Review: “Light & Land” by Michael Frye

Weeds, Slough

Weeds, Slough
Weeds, Slough

Weeds, Slough. Cosumnes River Wildlife Preserve, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

Weeds growing in brackish water of a slough near the Cosumnes River.

It is a photograph of weeds! In a slough! ;-)

During my late January visit to the Cosumnes River Wildlife Preserve, the day began with extremely thick “pea soup” tule fog. As the morning wore on it stuck around, though gradually began to lighten a bit. As this process continued I wandered along the railroad tracks beyond the visitor center and at one point I passed by a quiet and slightly muddy slough… where I noticed these interesting (and so far anonymous) plants growing in the water.

I was intrigued by the pattern produced by their stems and the complementary reflections in the water. I also noticed that if I looked more closely I could see the outlines of some underwater specimens of the same plant and that a few odd oak tree leaves were floating here and there on the surface of the still water.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Brush, Levee

Trees and Brush, Levee
Trees and Brush, Levee

Trees and Brush, Levee. Cosumnes River Wildlife Preserve, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

Weak sunlight breaks through Central Valley tule fog to illuminate trees and brush growing on a levee near the Cosumnes River.

This morning started out with extremely dense Central Valley tule fog – at first so thick that I more or less gave up photographing. But eventually, as usually happens, the upper layers of the fog began to thin, and some light began to filter down through the fog. By late in the morning the fog was thinning enough that very pale sunlight began to show through and softly light the dense vegetation on this levee along the edges of the Cosumnes River. This is an incredibly rich environment in the winter, especially with all of the water from winter rains and the nearby river, and the vegetation grows very thick here.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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