Signs of Autumn, Manhattan

Signs of Autumn, Manhattan
“Signs of Autumn, Manhattan” — Autumn colors and fallen leaves along a pathway in Manhattan.

I don’t know how many of you (who view these posts at my website) pay attention to the “categories” listings. They group the posts by their subject and focus, and the photographic posts always include the categories appropriate to their subjects — they might be “nature,” or “New York City,” or “Fall,” and so on. This photograph fits into a rather broad set of them, including those listed in the previous sentence and more. Yes, it is a fall nature photograph from New York City!

There’s little to suggest this location (unless you look very closely) but I made this photograph while walking along the High Line Park on the west side of Manhattan. When I’m in NYC I typically photograph obviously urban subjects — people, buildings, streets, and so forth. But in one section of this urban trail there were big piles of lovely autumn leaves, fallen from trees planted along the elevated walkway.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Color, Bishop Canyon

Aspen Color, Bishop Canyon
“Aspen Color, Bishop Canyon” — A group of aspen trees in peak autumn color, Eastern Sierra Nevada.

All over the Sierra there are little bits of the landscape with which I have somehow developed a long term relationship — places I return to year after year. They are all different. There’s a particular boulder along the trail into Lyell Canyon, a small grove of aspens in the June Lake area, a granite slab in Tuolumne Meadows, a camp spot in the Yosemite high country, this little group of aspens — and, of course, many more. How each of them came to have these connections for me is a bit hard to explain, though some do have particular stories.

Perhaps these trees got my attention because they stand against an interesting background, but also because they seem like they should be an easily photographed subject — yet I have found them tricky to photograph over the years. Sometimes the color isn’t quite right, or else I arrive after too many leaves have fallen. But I inevitably walk the little use trail past them and make a few photographs every fall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Piazza Grande, Arezzo

Piazza Grande, Arezzo
“Piazza Grande, Arezzo” — Buildings along the perimeter of the Piazza Grande, Arezzo, Italy.

During the summer of 2023 we went on a 10-week ramble though (mostly) Southern Europe. During the latter part of the trip we made a circuit through portions of Italy over a period of about three weeks. We made a point of visiting a few smaller places like this town of Arezzo. It isn’t entirely devoid of tourists, but it is nothing like the big, popular places. The photograph comes from the “Piazza Grande,” or grand square, in the upper part of the town.

It is a fascinating place. One signature feature of the square is that it tilts. It is built near the top of a hill in this high part of the town, and the slope is quite impressive. The square is surrounded by buildings that are hundreds of years old. We were there a couple of times, but on this afternoon we got there just before a thunderstorm arrived. and we quickly took refuge in a restaurant beneath a portico on the piazza as the storm began.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Mono Lake, Mountains, Morning

Mono Lake, Mountains, Morning
“Mono Lake, Mountains, Morning” — Early morning autumn light on Mono Lake and distant desert mountains.

Part of the challenge of photographing a familiar subject is finding a different perspective on it. This is especially true with “iconic” subjects that everyone has seen, and which we know by way of familiar views. If you think about any famous place you can probably visualize the scenes I’m thinking of — familiar views of familiar things. (I’m not against them. In fact, it is an interesting challenge to try to make those views different.) There are several familiar approaches to photographing Mono Lake. Yes, I’ve done them, too!

But this is not one of those familiar views. For one thing, the camera position here is not one that most people visiting the lake would think of or even know about. It is a pretty good distance from the lake — in fact the photograph was made with a very long lens. It is also elevated, up in mountains where sage meets aspens. I photographed in the early morning on a clear day, when the low morning sunlight was angling across the landscape from the right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.