Wherever We Are Headed, We Certainly Are Not There Yet

Contrary to those who feel that with the introduction of multiple reasonably-priced 20+MP full frame DSLR camera there isn’t much room left for advancement and change, I think that the camera market is still truly dynamic.

One assumption that many make is that the high photosite density full-frame DSLR cameras will “take over” the part of the photographic world previously occupied by medium format (MF) film cameras. Several observations seem to support this notion. The resolution available from carefully used high end DSLRs with the best lenses certainly can compete with that of medium format film, and the arguable advantages of the larger format in terms of image quality would not be enough to convince many to give up the conveniences and lens choices of the best DSLR systems. Even those who might prefer to shoot medium format digital back systems – and I count myself as among those who are interested – are often not in a position to be able to afford the stratospheric cost of the best medium format systems, despite the fact that they compete with large format for image quality.

Some have argued that the costs of the high end systems cannot possibly come down. Some argue (falsely, I believe) that the high costs can not drop because, unlike the costs of computer memory, they are determined by factors that are not subject to scaling. Some argue that the market will never be big enough. However, these folks made the same arguments about the very types of cameras that are now becoming available in the DSLR market – the 20MP and higher full frame sensor camera. Not long ago these cameras cost roughly $8000 and were available from only one manufacturer. They now cost a third of this and are available from at least three vendors.

If you think this cannot happen in the medium format market, perhaps you need to watch a bit more closely. Recently Mamiya introduced a basic medium format digital system (admittedly not one defining the high end of this market segment) at a cost of around $14,000 if memory serves. This week Phase One announced 40 MP medium format backs at cost in roughly the upper teens ($15,000 or thereabouts) range. There are certainly higher priced backs available, but it was only a year or two ago that the 35MP MF backs were the high end – and cost perhaps two or three times this much.

It seems to me that these developments are moving toward bringing MF digital systems to a price point where some who might now get a high-end DSLR system may be able to instead think about going MF.

(Note added later: I just want to acknowledge that I do understand that there are reasons besides pixel dimensions – e.g. number of photosites/MP – to choose MF, and that I also understand that there are reasons other than cost to choose a DSLR. :-)

Before the Dawn, Twenty Mule Team Canyon, Death Valley

Dawn, Twenty Mule Team Canyon, Death Valley

Before the Dawn, Twenty Mule Team Canyon, Death Valley. Death Valley National Park, California. April 2, 2009. © Copyright G Dan Mitchell – all rights reserved.

Before dawn in Twenty Mule Team Canyon with Death Valley and high peaks beyond.

Twenty Mule Team Canyon is traversed by a good but not very busy gravel road. I was in the canyon well before dawn on this morning and torn between shooting detail photographs of the interesting eroded forms nearby and shooting the longer view down the canyon, over low peaks, and into Death Valley beyond. (In the end I worked quickly and did both!) At the time I made this photograph the very first sunlight was barely striking the highest peaks far to the north across The Valley, but the light on the nearby hills was the diffused light that comes from the sky before dawn.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: death valley, national park, panamints, amargosa, range, mountain, salt, flat, twenty mule, team, canyon, dawn, sunrise, earth, forms, fold, geology, light, hills, peaks, badlands, ridge, pink, sky, cloud, scenic, travel, landscape, stock, early, morning

Sunrise Light, Twenty Mule Team Canyon

Sunrise Light, Twenty Mule Team Canyon

Sunrise Light, Twenty Mule Team Canyon. Death Valley National Park, California. April 2, 2009. © Copyright G Dan Mitchell – all rights reserved.

Detail of eroded formations at dawn in Twenty Mule Team Canyon, Death Valley National Park, California.

This photograph is pretty much all about the light – though the interesting and varied patterns of the wildly eroded hills in Twenty Mule Team Canyon also help.

Twenty Mule Team Canyon is just a short distance up the road from the famous and iconic Zabriskie Point (a downright iconic photograph of which I recently posted here). But while the throngs gather at Zabriskie every morning before and at dawn – with good reason – almost no one is to be found here during this time of beautiful light, even though it is in some ways almost as amazing as Zabriskie. I made this photograph at that magic moment when the sun was just coming over a nearby ridge and we see full sun on the formations at the upper right but somewhat subdued light closer in the foreground.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: twenty, mule, team, canyon, death valley, national park, california, usa, sunrise, dawn, light, erosion, folds, gully, ridge, hill, geology, colors, rock, dirt, gravel, pattern, shadow, landscape, detail, scenic, travel, stock, abstract

Article Offers Four Basic Tips for Photographing Wildlife

Joe Decker offers a short list of tips for photographing wildlife, “Four Tips for Better Wildlife Photography,” at the Digital Photography School web site. I’m sometimes skeptical about short “4 tips” type articles, but each of Decker’s suggestions offers good advice that will be useful to folks trying to get better at this genre.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.