Photographs: Death Valley, Photographs: Desert

Morning, Manley Beacon

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Morning, Manley Beacon

Morning, Manley Beacon. Death Valley National Park, California. April 3, 2009. © Copyright G Dan Mitchell – all rights reserved.

The iconic view of the morning sun striking Manley Beacon at Zabriskie Point with the Panamint Range in the distance – Death Valley National Park, California.

Yeah, it’s an icon… :-)

But I don’t think I’ve posted any photographs of similar landscape icons recently, so what the heck.

I shot this on the final morning of my early April, 2009 trip to Death Valley. I really didn’t go there to shoot this icon precisely – I originally thought that there might be some interesting clouds that morning (there weren’t) and my main goal was shooting detail photographs of the eroded landscape below and to the left of the camera position – actually more than 90 degrees to the left. But if you are at Zabriskie, there is a moment when the sun light finally makes its way across the valley and suddenly washes across Manley Beacon that is hard to resist – you’d have to be a stronger photographer than I am to not swing your camera in that direction.

In the end it is a pretty “vanilla” photograph of Manley Beacon – pretty much straight ahead lighting, no dramatic clouds in the sky, and I did not crank the contrast or saturation as you often see in photographs of this mountain. This is really pretty much what it looks like.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: manley, beacon, zabriskie, point, icon, mountain, hill, ridge, sunrise, dawn, morning, distance, death valley, national park, california, usa, scenic, travel, landscape, shadow, light, folds, eroded, gully, color, wash, stock

Equipment

Welcome to Visitors from the 5dmk2 Blog

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I noticed a spike in visits this morning that I’ve traced back to a reference in a post at the 5DMk2 blog at 1001 Noisy Cameras to yesterday’s post here about Live View on the 5DII. Thanks for the link, and welcome to visitors entering my blog world through the 1001 Noisy Cameras doorway. (And for those who arrived via a different route, if you are interested in the 5D2 and related topics, you should wander on over to the 5DMK2 blog once you finish up here.)

The two points I wrote about yesterday (the benefits of live view for depth of field preview and for shooting with very dark ND filters) are not the only benefits of the live view feature. For example, I earlier wrote about its value when doing night photography, and quite a few of my recent wildflower photos took advantage of it. Before long I hope to write up a more complete article outlining the range of uses for live view.

If this is your first visit to my blog, take a look around. I post a daily photograph (recent work has come from Death Valley and a number of central California locations) and the occasional opinion or news piece. You can subscribe via RSS (link near the top of the page) and members are welcome to post discussion messages.

(Shortly after posting this I got a message from B&H photo saying that they again have the Canon EOS 5D Mark II in stock, and unlike some other dealers they sell it with no markups at the list price of $2669.95.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Oaks, Hills, Clearing Morning Fog

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Oaks, Hills, Clearing Morning Fog

Oaks, Hills, Clearing Morning Fog. Calero Hills, California. April 18, 2009. © Copyright G Dan Mitchell – all rights reserved.

Morning fog clears over oak dotted green and golden Calero Hills, California.

On this mid-April spring morning I had perhaps a half hour of what is almost my favorite type of light – the kind that forms along the border between cloud and sun as morning fog begins to clear. I had started out this hike in gray fog, but as I reached the top of a small hill the fog began to burn off… and I photographed like crazy as different portions of my surroundings were revealed and illuminated. On a technical note, this is another of my atypical telephoto landscapes, shot with a 400mm lens.

One more note about fog. Not only is it interesting in its own right, but sometimes it lines up just right to obscure things that would make a photograph of the scene less effective while showing elements that work well. That was the case here. The very faint suggestion of more distant hills at the far right is all that we can see in the fog – but once it cleared there was instead a rather stark ridgeline that held a power pole or two!

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: oak, tree, grove, grass, meadow, hill, valley, green, gold, morning, spring, calero, county park, calero, santa clara, landscape, nature, scenic, shadow, light, sun, california, usa, field, stock

Commentary, Equipment, Technique

Canon EOS 5D Mark II: Two More Reasons to Love Live View

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Yesterday I was at Point Lobos shooting a variety of wildlife, nature, and landscape subject. As I worked I found myself using the live view feature of my Canon EOS 5D Mark II very frequently – partly for reasons I’ve written about before, but largely for two reasons that I’d like to briefly mention.

Much better depth of field preview – Everyone knows about the small depth of field preview button on the body near the lens. Since the lens is open to the widest aperture when you focus you cannot tell what your depth of field will be until you push this button to stop down to the aperture that you’ll use for your shot. There are two problems with this technique: you cannot judge sharpness critically enough across the frame in the viewfinder and the viewfinder becomes incredibly dim if you stop down to small apertures like f/16. Put those two problems together and the usefulness of the preview button is diminished. However, when you use live view the camera automatically adjusts when you press the preview button and the image is still plenty bright to see on the LCD. Even better, you can zoom in to 5x or 10x magnification to carefully check sharpness. All in all, this makes DOF preview a much more useful feature when live view is used.

You can compose a photograph when using neutral density filters to extend exposure – At one point this weekend I was using a 9-stop neutral density filter to make exposures of the surf with durations in the 10-20 second range. My usual practice is to compose the shot and, if necessary, manually focus without the filter attached. Once the shot is set up I attach the filter. Unfortunately, the filter renders the scene virtually invisible through the viewfinder. Recomposing or manually focusing requires removing the filter, making adjustments, and then reattaching the filter. I discovered yesterday that live view mode can display the image in the LCD even with my 9-stop ND filter in place, allowing me to make changes to the composition/framing or adjust focus without removing the filter

(Shortly after posting this I got a message from B&H photo saying that they again have the Canon EOS 5D Mark II back in stock, and unlike some other dealers they sell it with no markups at the list price of $2669.95.)

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.