Blue Vespa in front of. a blue wall, Porto, Portugal.
These scooters are, of course, ubiquitous in Europe, especially in the warmer climates. On these extremely narrow streets, which lack much of any parking facilities, they are extremely practical. But to American visitors, at least up to a point, they also seem fun and romantic. (My guess is that the fun/romantic part impresses their owners less.)
All of this is by way of saying that I could not resist photographing a few of them, particularly when they came in striking colors or related to their surroundings in interesting ways. This blue Vespa was parked against a very weathered blue wall in the sunshine, with just a bit of Porto graffiti in the background.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
The banks of the Arno River and the tower of the Basilica of Santa Croce in the evening, Florence.
I made this photograph as we were walking back into town after joining the throngs for sunset at the Piazzale Michelango above Florence. We weren’t sure what to expect at that spot, but what a surprise! There were thousands of people up there, staying along the ramparts, sitting on the stairways, drinking wine, listening to music… all because of the view toward the western horizon over Florence and the Arno River. You might think, “tourist event,” but if you visit Florence you should go!
After sunset the party diminished (a little bit) and we headed back down the hill toward Florence and dinner. As we crossed one of the bridges over the river, Patty pointed out the reflections of the lights in the water, and this photograph is the result.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
An alcove, a weathered wall, a door, and a sidewalk — Florence, Italy.
This photograph comes from Florence, Italy. Anyone who has been there, especially in the busy tourist season, knows that the place is incredibly busy and crowded, at least during the hours when visitors are out and about. We escaped the most intense crowds on this morning by heading “the other way,” into a neighborhood that lacked the usual tourist attractions.
Like almost any photographer visiting this part of the world, I cannot resist the colors and the old, weathered surfaces and shapes of the buildings. Back home, old buildings just took… old. But here the Latino of time and wear somehow seems more attractive.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Morning light on a gigantic alluvial fan at the base of desert mountains, Death Valley National Park.
This morning I am waking up in a place that is almost literally on the other side of the world from my “home country” of California. As I look out the window from a home in Kosovo toward high mountains at the start the day I am thinking about the storm impacting my state today, and the deserts regions such as Death Valley are especially on my mind as I read reports of tropical storm Hilary.
Our natural impression of places like Death Valley National Park (the part of California’s desert terrain that I know best) is of dryness, heat, aridity… of places where little grows and where challenges human visitors. It isn’t quite that simple, but there is truth to this. Our biggest concerns in such places are often the heat and the scarcity of water.
But I have long been impressed by the fact that there are few locations where the impact of water is more clearly visible than in the desert, especially in the rugged terrain of places like Death Valley. The valley was once a lake. Remnant water from that lake still appears and flows there. The tremendous mountains on either side of the valley were eroded and formed by water, and monumental alluvial fans flow out of side canyons everywhere. Deep watercourses cut through rock, and a close look at stones reveals that they were moved by water.
Even when we recognize the landscape-forming power of water, we still think of the landscape as now being static — formed by forces that worked in the past but now have left a stable geography. A few rocks fall, occasionally a wash overflows and takes out a small section of a road, a playa may fill temporarily with water… but soon everything is back to “normal” as it was.
But this morning it sounds like we may experience much more profound changes as Hilary sweeps though, the sort that occur at intervals measured centuries. Those of us who love this landscape may find our access cut off and that much changes after this storm. I’m both excited by and fearful of these effects — but in any case this is a powerful reminder of the scale of the forces at work in these places we love.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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