Trees, Boulders, and Dawn Fog

Trees, Boulders, and Dawn Fog
“Trees, Boulders, and Dawn Fog” — Trees silhouetted against dawn light as fog rises above glacial boulders.

Late in the first half of September I spent a few days camping and photographing in the Yosemite high country. The weather was a bit challenging — cold, cloudy, and with rain at times. But those conditions are often more photographically interesting than typical summer blue sky days. I was up before dawn on this morning, and I was thrilled to discover thick fog blanketing frosty meadows.

My favorite Sierra Nevada season begins in September and can extend into the beginning of November. The pleasant, easy-going summer conditions begin to fade as the days get shorter, vegetation dries out, crowds disappear, weather fronts approach more often, and fall colors arrive.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Rectangular Patterns (Vertical)

Rectangular Patterns (Vertical)
“Rectangular Patterns (Vertical)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is the second in a series of three photographs that I made on a walk that took me through an area of urban renewal in my town. A large corporation committed to very extensive building plans, then backed off during the pandemic, and now seems to be trying to, in my view, make it look like something is happening when not much really is. They have painted buildings and put up interesting interpretive signs. To their credit, this is better than just letting the properties decay.

I’m very attracted to strong graphic forms and colors — which I suppose might surprise some who think of me as “just” a landscape photographer. But I don’t see any conflict, and I feel that the interest in such forms underlies quite a few of my landscape images, even though it is possible to look at them primarily as being “pictures of nature.”


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lakes Meadows, and Trees

Lakes Meadows, and Trees
“Lakes Meadows, and Trees” — Trees and shorelines along a series of Sierra Nevada lakes.

This is another photograph from my mid-July backpack trip into the Eastern Sierra Nevada, right below the crest of the range just outside Yosemite National Park. We spent three nights and four days in the area, and because it was an easy trip with low mileage, I had plenty of time to photograph morning and evening. This is an early morning photograph of a series of lakes, captured while my trail companions were still in their tents.

The area presented some unusual terrain. Our trip began at the lower end of the lake that is barely visible in the far distance, so the first few miles of walking were nearly level. From the end of that lake we climbed no more than perhaps fifty more feet to the middle lake and our campsite. Talk about easy walking! The water in the foreground belongs to a small pond that was less than a one minute walk from my campsite.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Evening Along the Canal

Evening Along the Canal
“Evening Along the Canal” — Visitors to Venice sit along the banks of a canal near the Campo Santa Maria Formosa at night.

This photograph of people lazily passing an evening along a canal in Venice almost didn’t see the light of day. It is a “left behind” photograph that languished in my raw file archives for the past three years. Every so often I revisit the archives, and I almost always discover something that I missed. How do I miss these images? Sometimes I think I had a different idea in mind for the photograph that did not work, and returning with fresh eyes allows me to see it anew. Or, as in this case, another photograph that I made almost next door to this one did make the initial cut, so I think I dismissed this one at the time and moved on.

We were in Venice in August that year. Believe it or not, we had not been there before, and we really felt that it shouldn’t be missed. So we put up with the crowds and heat and incorporated it into a larger trip to Southern Europe. On this evening we had eaten and then gone out for an evening walk in the cooler air, diminished crowds, and beautiful evening light.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.