Talus, Cliff, Shoreline

Talus, Cliff, Shoreline
A talus field of giant boulders tumbles to the edge of an alpine lake at the foot of a cliff

Talus, Cliff, Shoreline. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of giant boulders tumbles to the edge of an alpine lake at the foot of a cliff

There are multiple ways to look at this photograph. One is to think of it as a record of a specific place at a particular time. That is perhaps important to me and to the others with whom I shared this week in the Sierra Nevada backcountry, but I think it is far less important to others who may view it. Another way to view it is as an example of a particular kind of landscape — the subalpine terrain of the eastern slope of this mountain range — and to note the cliff face at the left, the base of the talus field that reaches to the shoreline, and the lake itself. Sierra travelers probably have their own collection of memories of similar places.

A third way to view it is to try to step back from the seeming objective reality of location and subject, and to try to look at it as a structure of colors and forms and textures. This isn’t always easy, and it perhaps it isn’t for every viewer… though the elements mirrored in the reflective surface of the lake may encourage a viewer to try. In fact, this gets a little closer to how I see such things and such places. Yes, I do respond to them a real locations and as examples of the Sierra terrain I love. However, in most cases that isn’t enough for a photograph, at least not to me. I’m always looking for shape and texture and color and relationships in these subjects. (Of the recent photographs of talus slopes, water, and soft light, this may be my current favorite.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Reflecting Pool, Structural Components, Skyline

Reflecting Pool, Structural Components, Skyline
A pool and exterior components of Le Centre Pompidou, Paris

Reflecting Pool, Structural Components, Skyline. © Copyright 2018 G Dan Mitchell – all rights reserved.

A pool and exterior components of Le Centre Pompidou, Paris

The Centre Pompidou in Paris is a fascinating place in many ways. To start with, there’s a lot going on in the surrounding neighborhoods, the large courtyard in “front” of the building, and inside. The art collection is quite wonderful. And, of course, the building itself is unusual and something of a marvel. It also provides plenty of opportunities for photography.

Many of the components of the building are on the exterior instead of being hidden behind a shell. Architectural structures, stairways, ventilation systems and more are right there for the observer to see. This photograph incorporates some of those structural elements, which form the main criss-crossing form in the image. It may not be immediately obvious, but the photograph was made outdoors and many floors above the ground level. Here a shallow pond reflects the structural elements and a bit of Paris sky, with the upper floors of surrounding buildings filling in the middle of the scene in the distance.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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From Shore to Shore

From Shore to Shore
Both shorelines of a rock-bound alpine lake

From Shore to Shore. © Copyright 2018 G Dan Mitchell – all rights reserved.

Both shorelines of a rock-bound alpine lake

The Sierra Nevada is sometimes called the Range of Light, in recognition of (or so I think) the open quality of its forests, the tendency toward summer sunshine, and the resulting abundant light. It is a very different place than, say, the mountains of the Pacific Northwest. There are day-to-day exceptions to the rule, but overall the characterization holds. As a matter of fact, on our mid-to-late September backcountry visit this year we experienced an unbroken string of perfect blue sky days for over a week. (By the way, photographers don’t necessarily regard that as a good thing!)

However, it is quite possible to experience different sorts of light in these mountains. Obviously, anyone who has experienced a major winter storm in the Sierra has seen the other end of this spectrum. Thunderstorms do sweep through in the summer months. And in some places where the mountains are close, tall, and very steep there can be lengthy “blue hour light” at the start and end of the day. I made this photograph in such a place, where the sun didn’t arrive until many hours after sunrise, and the shadows returned hours before sunset. In this light, the rocky terrain around this lake took on an appearance that doesn’t fit with that “range of light” description.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Courtyard at the Louvre, Evening

Courtyard at the Louvre, Evening
In the evening a shadowy figure walks across the courtyard in front of the Louvre.

Courtyard at the Louvre, Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

In the evening a shadowy figure walks across the courtyard in front of the Louvre.

Close to the end of our time in Paris this past summer we had a magical evening. As I recall, we had no particular plan at this point, but it was a warm late afternoon so we decided to walk. We headed towards the Seine and crossed at Pont Neuf right at sunset. There were thousands of people everywhere — walking, looking at the view, sitting along the river bank, dancing along the walkways, making music, riding bicycles, you name it.

Eventually, shortly after the actual time of sunset, we walked across a bridge and entered the courtyard of the Louvre. Still there were people everywhere, though things seemed to be slowing down — more of them were standing or sitting, watching the sky. I wandered into this courtyard at twilight, just after the lights on the building had come on, and I paused to make a few handheld photographs of the scene. In this one, a blurry figure seems to be exiting the scene to the right.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.