Toward Morning Light

Toward Morning Light
A flock of sandhill cranes flies toward the morning light

Toward Morning Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies toward the morning light

This group of sandhill cranes was flying almost into the early morning sun — it was actually just enough to one side to illuminate the side of the birds that was facing me. As the cranes came toward my position I was ready, and I tracked them as they crossed from left to right, repositioning themselves as they passed by.

Sandhill cranes hold a special place for me, and they did even before I had seen or heard them. Many years ago as  college student, an enlightened science professor assigned us to read sections of Aldo Leopold’s “Sand County Almanac.” Leopold was completely new to me at the time — my vocabulary of “nature” writers was more orientated to the Sierra Nevada. But his descriptions of the cranes and the experience of seeing them stuck with me, and perhaps made the experience more magical when I finally saw them many years later.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tufa, Morning Reflections

Tufa, Morning Reflections
Tufa towers and morning light reflecting on the surface of Mono Lake

Tufa, Morning Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Tufa towers and morning light reflecting on the surface of Mono Lake

The tufa towers are often the first subjects that people think of when they consider photographing at this location. I’ve photographed them many times and in may ways — up close, at a distance, in silhouette, in all kinds of conditions and at all times of day. I still find them fascinating, but I’ve come to see the lake as being more about other features now.

The greatest impression I get from the lake is immense space. This comes partly from the sheer size of this landlocked lake, but it may also come from a combination of often seeing it from elevated viewpoints and from the open and sometimes cloud-filled sky. And at early and late times of day the water takes on colors of sky and surrounding mountains, ranging from brilliantly intense to quite subtle. These colors are interrupted when the wind produces patterns on the surface of the water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Big Sur Coast Headlands

Big Sur Coast Headlands
Thinning fog over the Big Sur coast beyond rugged headlands

Big Sur Coast Headlands. © Copyright 2018 G Dan Mitchell – all rights reserved.

Thinning fog over the Big Sur coast beyond rugged headlands

This was a particularly “quiet” section of the coast on the day I visited. Elsewhere the wind was blowing, sometimes pushing fog across the roadway, and often making photography a bit of a challenge. But here there was shelter from the wind, and the ocean was relatively calm. A fog bank lay across the water in the distance, though it was nearly gone as the day warmed up.

There are impressive headlands all along this section of the Pacific Coast Highway through the Big Sur coast, but this area just south of the town of Big Sur has some of the tallest and steepest sections. I often take this landscape for granted, as I have lived nearby for almost my entire life — and then, every so often, it hits me that it must be one of the most monumental meetings of land and sea on the planet, both for the rugged landscape itself and for the distance across which it stretches.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Through the Scrim

Through the Scrim
An urban scene viewed through a scrim

Through the Scrim. © Copyright 2018 G Dan Mitchell – all rights reserved.

An urban scene viewed through a scrim

This is intended to be a sort of playful photograph, though I think it might be read as having a bit of an ominous quality, too, depending upon how you look at it.

I made the photograph from inside the San Francisco Museum of Modern Art (SFMOMA). We are members of the museum and we go there regularly — partly to see the collection and the temporary exhibits, and partly to photograph the architecture, the people, and the urban environment surrounding the building. I made the photograph through a sort of scrim that was covering some windows, presumably to mute the outside light a bit. It was rainy, and a bit of water is running on the fabric of the scrim, and the overall effect is to mute contrast and detail in the urban scene outside the window.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.