Meadow, Stream, Evening

Meadow, Stream, Evening
A stream meanders through a subalpine meadow on its way to a lake, John Muir Wilderness

Meadow, Stream, Evening. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A stream meanders through a subalpine meadow on its way to a lake, John Muir Wilderness

This photograph is the final one (for now, at least) in a series that takes me back to late summer, high in the eastern Sierra Nevada, base-camped for over a week with friends and extensively photographing the surrounding area. A group of us does this almost every summer, so a good thing is made even better through the combination of time devoted to beautiful photographic subjects, time spent in these stunning places, and time spent with good friends. We say we are there to photograph – and we certainly are! — but the truth is that we also spend a lot of time hanging out, talking, and just being.

I made the photograph on the last evening before our planned departure the next day to return to what passes for the real world. The location is a meadow right below our campsite, which was hidden in trees up on the hill of an old moraine. Strangely, even though we were camped right next to this wonderful spot I had not really focused my attention on photographing it, often instead wandering off to more distant subjects. On the final days of the trip it occurred to me that I should finally spend some time in this spot right in the neighborhood! So, late in the day on the final evening of the trip, off I went to walk slowly along the edge of “our” lake, crossing small inlet streams and traversing the surrounding meadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Lakeside Trees and Rocky Slope

Lakeside Trees and Rocky Slope
Lakeside autumn aspen trees reflected in shoreline water

Lakeside Trees and Rocky Slope. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lakeside autumn aspen trees reflected in shoreline water

This was a long and productive day. We started before dawn, waking up in darkness and heading up into the mountains to arrive at a likely spot to photograph fall color before sunrise. We began by photographing a familiar lake from a somewhat different perspective, working from an elevated position above the lake. A bit later we moved to other locations in the big east side mountain valley, generally working our way around so that we could photograph aspen color before the direct sun arrived. We stopped for breakfast at a mountain lodge before heading back down into Owens Valley and then turning north. We ended up north of Lee Vining in the late afternoon, and eventually we finished photography and began the long drive across the Sierra and back to the San Francisco Bay Area.

This is one of the early morning photographs. I had finished with a somewhat iconic Eastern Sierra subject, though photographing only parts of it that might or might not be recognizable. Soon the direct sunlight began to hit this subject, washing out the colors and ending my photography of that subject. No matter, I just pivoted a bit to my right and found lakeside trees where the direct sun had not yet arrived, and I photographed these trees in the softer shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspen Groves, Sierra Crest

Aspen Groves, Sierra Crest
Aspen groves follow the contours of foothills rising toward the Sierra Nevada crest.

Aspen Groves, Sierra Crest. Eastern Sierra Nevada, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Aspen groves follow the contours of foothills rising toward the Sierra Nevada crest.

Just for fun… a fall color photography in black and white! I have the greatest respect for our photographer predecessors who set about photographing the beauty of fall color with only monochromatic shades to work with. It can be done, but it isn’t quite as straightforward as photographing fall color with today’s capable digital cameras. It is all too easy to let those colorful leaves end up having monochromatic tones that aren’t that much different from the same trees in the green season! Light helps, as does some selective use of filters — glass filters in the old days and post-processing analogs applied to digital files today.

I made this photograph close to a rather popular fall color photography location, though the exact location isn’t quite in the usual spot. It presented a challenge or two that I won’t describe here. The light was, to use the old euphemism, “interesting” at this point. The late afternoon light was coming in at a low angle and lighting up the trees nicely, but the sky was a bit tricky. Some high clouds were floating over the Sierra crest peaks, and their brightness posed a dynamic range challenge while their shadows fell across the peaks. There are many things I like about this scene — the way the curving forms of the groves lead away and up toward the Sierra crest peak, the long shadows, the alternation of sunlit ridge and darker valleys, and those distant peaks with a bit of autumn snow dusting their summits.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Meadow, Autumn Light

Trees, Meadow, Autumn Light, Yosemite Valley
“Trees, Meadow, Autumn Light” — Hazy autumn light and trees in a Yosemite Valley meadow

Every autumn the Sierra Nevada experiences days when the air is full of wildfire smoke. It was only recently that I came to recognize that a large component of what I’ve always identified as “autumn light” is the atmospheric haze from wildfires — not just those nearby in the Sierra, but including the diffused smoke from wildfires further away in California and even beyond California’s borders. Yes, the lower angle light is part of the effect, but it is the soft and hazy atmosphere that is perhaps the most major element. I’m amazed that it took me this long to fully make the connection, but also happy to find there are still new things to “discover” and understand!

The atmospheric light in this photograph is the result of this effect. It was a very smoky day in Yosemite Valley — the sort of day when you might consider wearing a breathing mask. A big fire was still smoldering just south of Yosemite Valley, its smoke collecting each evening and then flowing downwards into the Valley. I made the photograph just as the edge of the shadow from nearby cliffs was beginning to cross this meadow, and the sunlight caused the smokey atmosphere to glow behind the trees. It is easy to think of wildfire smoke as an impediment to photography, but if you turn your thinking around just a bit you soon realize that these conditions can provide some very special and even lovely possibilities, ranging from the muted and slightly sienna tones of the light to enhanced effects of atmospheric recession. The potentials for producing moody and evocative photographs may actually increase on days like this!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.