Aspens and Conifers

Aspens and Conifers
Fall color before sunrise in the Eastern Sierra Nevada

Aspens and Conifers. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Fall color before sunrise in the Eastern Sierra Nevada

I had visited this place a few days earlier on a separate visit, and at that time the colors were still not fully developed. At that time I wasn’t sure I would be back, since I have photographed this area quite a few times in the past, and I figured that my subsequent visit might take me to different areas of the Sierra. However, I’m an opportunist and I often make decisions about where I’ll go and what I’ll photograph quite close to the last minute, responding to circumstances and conditions. And on this morning, a visit to this spot looked promising.

Each year the color change patterns are a bit different. A spot that might be green one year on a particular date may be in full color during another year, or it might simply lose its leaves without changing. While things tend to happen at fairly similar times each year — with some exceptions — the state of the trees at those points in time can vary. For example, I have come to this spot at about this time and found the lower portion of the grove almost devoid of leaves, likely in the aftermath of cold and wind. This time the color still looked good, thought I could tell that at the lower edges it wasn’t going to last a lot longer. I as also intrigued by the somewhat unusual band of green trees still found in the bottom of the ascending gully.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Back-Lit Trees, North Cascades

Back-Lit Trees, North Cascades
A group of backlit trees above a deep valley, Artist Point

Back-Lit Trees, North Cascades. Near Mount Baker, Washington. September 20, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of backlit trees above a deep valley, Artist Point

In early September I spent a few days in the Seattle area — mostly on non-photographic business, but I managed to get out for a couple of days of photography. One was spent photographing street images in downtown Seattle, and I’ll share some of those photographs, too, before long. On the other day I managed to do the long drive up to the North Cascades near Mount Baker and Mount Shuksan, where I wandered a bit at the Artist Point location.

Conditions for my visit were varied, good for some subjects and more difficult for others. The main attractions here are probably the spectacular alpine vistas on either side — the point is located between the peaks of Mount Shuksan and Mount Baker, both of which are tall, rugged, glacier-covered mountains. However, the weather conditions were a bit less than idea for photographing those subjects, with light that was often a bit too obscured by the clouds. On the other hand, those same clouds muted the most intense light and created light that was sometimes good for more intimate subjects. As I wandered the easy trails at this location I spotted these hemlock trees standing against the backdrop of mountains and a deep valley leading off into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pasture, Estero, and Drakes Bay

Pasture, Estero, and Drakes Bay
Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

Pasture, Estero, and Drakes Bay. Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

I have a confession to make regarding Point Reyes. Although it is, relatively speaking, “in my local neighborhood” and I’ve gone there a lot, I have yet to fully wrap my mind around the place to the extent that I feel that I have fully photographed it or fully understand its character. I do have some photographs of the place that I like quite a bit, but when I go there I often find it more difficult to photograph than places like the Sierra, the Big Sur coast, California’s deserts, and similar. I love photographing the ocean, but here the features of the coast are perhaps more subtle, tending more toward beaches and bluffs and bay than to dramatic and rocky coastline. There are hills, but many are rather short, tend to be covered almost completely in forest in many cases, and tend to lack rocky outcroppings. The light can be very interesting, but there is often a fine line between too much and too little sun.

To summarize, I’m still working to figure out my vision of the place. Our most recent visit, in the middle of October during the northern California wildfires, was provided no exceptions to the challenge. There was no fog and the sky was almost clear… except that wildfire smoke often tended to blanket the terrain, producing a sort of yellow quality to the light. Because it is October, most of the green of meadows is long gone, and instead open areas are a kind of muted brown. Yet, I still want to photograph the place, and I know I’ll eventually “get it.” We did spend some time looking for photographs in the park this time, and this lovely inlet from Drakes Estero caught my attention as we traveled out toward the location of the Point Reyes Lighthouse. After we stopped and I looked more closely, I found the old stock fence to be an interesting addition to the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Groves, Early Evening

Aspen Groves, Early Evening
Early evening light on aspen groves with fall color, Eastern Sierra Nevada

Aspen Groves, Early Evening. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early evening light on aspen groves with fall color, Eastern Sierra Nevada

As with virtually all locations with fall color, especially the fall color of aspen trees, timing (and/or good luck about timing!) is everything. There are so many variables that can make or break a photograph of autumn color, and some of them are beyond our control. Precisely when does the color peak in a specific location? What are the effects of the preceding months of weather, from winter snows and summer rains to the temperature patterns? What about preceding days of weather — has it snowed, how cold has it been, have there been strong winds? On the day of the photograph, what are the clouds doing? Are you there at the ideal time of day — perhaps a time when there is some backlight on the trees and other distracting elements are perhaps less well-lit?

Sometimes it all comes together — or close enough — and you find a scene with beautiful color, few trees that have completely lost their leaves, perhaps a bit of green remaining, the light in the right place, and more. For what I was after I had a window of only a few minutes to make this photograph. You may have noticed that the evening shadow has already reached the very bottom of the frame, but that the light has softened and warmed enough to bring out the color in the trees. But what you cannot see in the photograph is that I came to this same location two prior times over the period of a week, one of them the previous night. On those visits it did not work quite right — clouds covered the sky, it was hazy, too many trees were green, near gale force winds were blowing, and more. A rule of landscape photography is that the more chances you give yourself, the greater the odds that you’ll be there when the elements all happen to fall together.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.