Toward the Moon

Toward the Moon
A small flock of lesser sandhill cranes flies toward the early morning moon.

Toward the Moon. © Copyright 2023 G Dan Mitchell.

A small flock of lesser sandhill cranes flies toward the early morning moon.

This photograph closes out my posts for 2023. This time is an opportunity to look back across the year that is ending and to look forward to what may be coming in the new year. It was a bit of a different year for me photographically, particularly in that we took a long overseas trip (from which I still have many photographs to share). As a result, there were fewer of my familiar Sierra photographs… since I was thousands of miles away during months when I usually spend time in the mountains. What will the new year bring? We’ll start to find out soon enough!

This photograph comes from a November day of migratory bird photography, my first of the new season. I photographed intensely in during the window of beautiful light around sunrise, and at this point I turned my attention to sandhill cranes taking to the air among broken, sunrise-lit clouds, some of which are slightly obscuring the moon in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Urban Wild, Manhattan

Urban Wild, Manhattan
Tightly packed buildings and large trees, Manhattan.

Urban Wild, Manhattan. © Copyright 2023 G Dan Mitchell.

Tightly packed buildings and large trees, Manhattan.

This photograph embodies something about Manhattan that I’ve mentioned before: For such an intensely urban place, there are a lot of examples of the natural world. It isn’t the kind of (ostensibly) “pure” nature that we see in the America West, but I sometimes think that its close juxtaposition with the city environment almost makes it more precious. We have whole forests out here in California, but in Manhattan a single tree can sometimes mean almost as much.

I saw this scene from the High Line Park as we walked its length last November. To those of use used to living with more space around and between us, the closeness of urban abodes along this park is surprising, and it almost seems voyeuristic to take a long look through the trees in someone’s tiny yard.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pier 57, Crane Barge

Pier 57, Crane Barge
A crane barge docked next to Pier 57, Manhattan.

Pier 57, Crane Barge. © Copyright 2023 G Dan Mitchell.

A crane barge docked next to Pier 57, Manhattan.

Manhattan’s Hudson River waterfront fascinates me. It is a busy place with lots of vehicle traffic, but many facilities along the shore have been and are being transformed. Old piers fall into ruin, others are converted to new purposes. New structures extend the city over the water. I made this photograph at one of those new places, the “Little Island.” It seems to grow organically from the water, and it houses a busy little park with enough elevation to provide good views of the surroundings.

This photograph looks up the shoreline to Pier 57, a renovated structure that is now a commercial space and which includes its own park. The relationship between the building’s green paint and the red-orange color of the crane caught my attention, as did the colorful reflection in the water just beyond the old pilings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Long Shadows

Long Shadows
Pedestrians at the High Line Park cast long shadows.

Long Shadows. © Copyright 2023 G Dan Mitchell.

Pedestrians at the High Line Park cast long shadows.

In my experience, interesting things happen to the light during late-fall and winter in Manhattan. Many are familiar with the “Manhattanhenge” phenomenon where the sun lines up with streets, but I’m thinking more of the combination of low sunlight angles and midday and afternoon light casting long shadows to the north and northeast of subjects, who appear against a bright, sometimes-glowing background.

Interesting things happen in this light. The shadows fascinate me — they are long and often anngle across the scene. (In some places the shadows themselves criss-cross when the light is reflected from building windows.) To photograph this light I have to walk towards it, and if I’m including human subjects they are often walking the other way — so things happen quickly and I have to react with little time for careful thought. As a result, there are surprises… such as the arm position of the man at the left, who walks almost as if he is trying to balance on a tight rope.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.