Night Heron, Reflection

Night Heron, Reflection
A solitary night heron perches on a snag above a reflecting pool

Night Heron, Reflection. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A solitary night heron perches on a snag above a reflecting pool

I have mentioned before that I came late to an interest in photographing birds — it only began a few years ago when I took a serendipitous trip to a California Central Valley refuge where I saw huge numbers of birds. Despite being a virtually life-long Californian living within a short drive of such areas, I barely knew they existed. (I had one prior hint on a drive to the Pacific Northwest some years ago, when I passed through the upper Sacramento Valley on a late-November evening and say many birds in the sky.)

That all changed during recent years. At first I “discovered” geese and egrets, the latter which I had seen before and occasionally photographed in the San Francisco Bay Area. Then I caught on to some of the other birds out in the Central Valley — ibises, cranes, herons, white pelicans. But the night herons continued to be a bit of a mystery, and frankly they still remain so to an extent. They are found at the location where I most often photograph, but typically off at some distance. That distance, along with their habit of roosting in thick grasses and plants, makes them hard to see and photograph. On this visit to a different location up in the Sacramento Valley I found a huge group of them in brush just across a canal, and I was able to photograph them from a closer distance, including this one that was atypically out of the brush and standing on a log.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer Franka M. Gabler

Photographer Franka M. Gabler
“Photographer Franka M. Gabler” — Franka M. Gabler in the field photographing in the San Joaquin Valley

I often photograph alone — ultimately, most photography of the sorts I do tends to be a solo thing — but sometimes I do get together with other photographers (and occasionally painters and assorted others) in the field. In fact, some of us have a bit of a tradition of meeting in the Central Valley to welcome the new year in the company of one another and of many thousands of migratory birds! Among other things, these get-togethers are a fine opportunity to photograph one another!

I made this photograph of friend and photographer Franka Mlikota Gabler on New Year’s Day this year, as all of us were on a wild goose chase — literally!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Street Scene, Manhattan

Street Scene, Manhattan
Looking up a narrow street in the West Village

Street Scene, Manhattan. New York City. December 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Looking up a narrow street in the West Village

I like old photographs of cities, and especially of big cities like New York. For obvious reasons they tend to be in black and white. Once I started photographing these same subjects and making some of the photographs black and white, I began to notice that things in such places often look far more like they had in the past and that the supposed modern nature of such scenes is not at all obvious when abstracted by the camera.

I made this photograph from an elevated position along the High Line Park path that runs along a portion of the western side of Manhattan. In order to spot much here that is unique to the current time, I have to look closely — the overall impression is almost timeless. Yes, the vehicles are modern (at least for now), there are some traffic barriers in the distance that are a fairly new presence, and a very close look reveals somewhat modern attire on a few of the pedestrians.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dawn, Paris Rooftops

Dawn, Paris Rooftops
Rooftops and the long view at dawn, Paris, France

Dawn, Paris Rooftops. Paris, France. August 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Rooftops and the long view at dawn, Paris, France

The photograph of this view was a result of a couple of coincidences. I have to admit that we rarely got up this early on our trip to France (or the UK, or New York, or Germany…), more often sleeping in and finally getting out the door of our room at 10:00 in the morning or so. We kid ourselves about our ability to adapt to time zone changes — we think we didn’t make it quite all the way to Europe but instead locked into a time about one zone west of Ireland! But on this morning we had no choice but to get up very early since we were scheduled to take an early train to Germany and we didn’t want to miss it.

But being up before dawn wouldn’t have quite been enough to give us this view. There is a hotel story involved, too. When we arrived earlier in the week we were given a room several floors lower. We went up to the room, opened the door, walked in… to find a pack of cigarettes on the bed, suitcases on the shelf, and clothes in the closet! The hotel upgraded us as a result, putting us in a room that was near the top of the building and which gave us a view across Paris. So, up at 6:00 in the morning, still fairly dark in Paris, we got dressed and then watched the light show as the sun spread across the city.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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