A giant leaf with brilliant fall colors, photographed lying on the ground
I have no clue what kind of leaf this is, and the location where I found it gave no hints. Usually if I find such a thing I can just look up and see the tree from which it came, but when I looked up from this leaf I could see nothing nearby with leaves even close to this one.
The leaf is huge — in my recollection it was well over a foot long. It was on the ground between some cacti and/or succulent plants in a desert garden at the Huntington. The colors were wild, and if there had been a tree full of huge and intensely colorful leaves like this one I would not have missed it! Initially I was attracted by the bright yellow color and the size, but the closer I looked the more I found that the other surprising colors caught my attention — bits of green, a spot of purple, and red highlights along some of the vein structure.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
This could be a very long post, but I’ll try to keep it short. The Lick Observatory, constructed in the 1800s, sits on the highest peak within sight of my home — both the home I grew up in and the one I live it now. When I was young, one of the greatest adventures was a trip up there, especially when it snowed on the 4000’+ summit of Mount Hamilton. Years later, when I was an avid cyclist, I used to ride up to the summit at least once per month, and today I still know the road like the proverbial back of my hand.
I ended up there by accident on this late mid-December afternoon. My day started before dawn out in the Central Valley, where I had gone to photograph migratory birds. For various reasons (including the absence of geese from wildlife area where I ended up) I left the Valley earlier than usual and decided to take the longest and most isolated back-road back to the San Francisco Bay Area — and that is the 75 mile narrow road between Patterson and San Jose. The high point — quite literally — of this drive is the summit of Mount Hamilton, so I stopped there briefly to make a quick visit inside, take in the tremendous panorama of the south San Francisco Bay, and make a few photographs, including this shot of the historic observatory building.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Parking structure and urban scene near the Highline Park in New York City
When in New York City… visit the Highline Park, as we did on this 2010 summer visit. For those who may not know, the Highline Park is a novel New York location, a park high above the streets that occupies the right of way of an old elevated railway. It is widely regarded as one of the most innovative public spaces in this city, and it really is a remarkable place.
It is also a great place to do photography. There are plenty of people subjects there, and there is all of the other stuff that is worth shooting in New York, plus the elevated perspective provides a lot of views that are different from those seen from street level. We’ve all seen this urban parking structures, which stack cars up several deep in order to make more efficient use of limited space. But we don’t often see them from above, where the metal framing suggests planes that aren’t visible from below but which connect in interesting ways with the angled lines and planes of the other nearby buildings.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A group of small trees find a marginal existence growing along a crack at the edge of an exfoliated slab of granite, Yosemite National Park
It took me three tries, on successive days, to finally get the photograph of this little bit of granite slab and trees that I was looking for. On evening of our first day camping in the vicinity we were under the thick smoke plume from the early September “Meadow” fire in Yosemite, which was burning some miles away in the Little Yosemite Valley area — but also sending dense smoke towards us and dropping ash from the sky. I did make a few photographs in this eerie light the first night, but it was a very tricky situation that did not work well for this subject. I went back on the second evening, when the smoke had diminished at our location to the point that it wasn’t a major factor in “intimate landscape” photographs like this one. I went to the top of a large granite bowl before the light was good and scouted for likely photographs to make as the evening light improved. I spotted this lengthy crack at the edge of an exfoliated granite slab, in which a number of small trees had taken tenuous root and decided that it could be an interesting subject with evening sidelight. I wasn’t the only one, however, and three members of our party had the same idea! We are a cooperative bunch, so I photographed some other things while my partners worked this spot, and then returned to set up a shot that looked more directly up the length of the crack that curves through the composition in this version. Later that evening I was quickly reviewing my shots from the day, and I realized that one of my buddies had cast a long shadow into part of the frame! Ah, well, such things happen.
So I made plans to go back yet again on our final evening in the area and try once more. In the end, I’m glad that I did. I’m now convinced that by going back I found a more interesting composition that accomplished several things. First, no one’s shadow is in the image! Second, I think that positioning the large crack so that it curves more diagonally through the frame works better than my original composition. Third, due to this different camera position and somewhat different light, I was able to let the shadow of the tree create a sort of mirror image of its form, resulting in a relationship between the tree and the shadow that I like. There are spots much like this one all over the place in Yosemite — smooth slabs of granite on which tiny but often mature trees manage to find just enough sustenance. In this little spot, a somewhat unusual number of these trees seem to have made a success of it.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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