Three Lesser Sandhill Cranes

Three Lesser Sandhill Cranes
Three lesser sandhill cranes fly against blue sky above the San Joaquin Valley

Three Lesser Sandhill Cranes. Central Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Three lesser sandhill cranes fly against blue sky above the San Joaquin Valley

These beautiful sandhill cranes are found up and down California’s Central Valley and beyond. Many things characterize the winter “bird-scape” in the state, but high on my list is the sound of these birds, whether directly overhead or somewhere off in the fog, invisible but often present in large numbers. They are not as numerous as the geese, but at times their numbers can become quite astounding, especially when they find a good place to feed. I think that they can be a bit awkward looking on the ground, but in flight they are transformed. Their flying pattern features slower wing motion, periods of gliding, a flat trajectory, and often wingtip-to-tail relationships with other cranes.

They aren’t always easy to photograph, though if you come (quietly!) upon a group on the ground and they don’t fly away you can often get good photographs, and you may even see the “dancing cranes” behavior. Photographing them in flight can be just a bit tricky. They seem uneasy about flying directly over humans, and birds that appear headed for your position will often divert at the last moment. Fortunately, they can be very attractive viewed from the side — perhaps more so that a straight-on view or photographed from underneath. These three were part of a larger group that was flying at low elevation between two areas of pasture-land.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Geese

Evening Geese
A large flock of geese takes to the air in evening light

Evening Geese. Central Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A large flock of geese takes to the air in evening light

Each day among these migratory birds moves through a kind of cycle, with variations that eventually become familiar but which don’t become any less compelling or exciting. It typically starts with a pre-dawn drive and arrival at a likely spot to find them — preferably in fog! It is always thrilling to catch the first sight and sound of the birds. The day continues, likely passing from fog to hazy sunshine, as the birds tend to settle into midday routines. Sometime after lunch it is (almost always) time for a break, but the work resumes by mid-afternoon. At first things happen slowly, but as evening approaches the pace picks up – more birds coming and going, more frequent take-offs, light that evolves in beautiful ways — and before long it is sunset and then dusk.

Early morning and evening are times of daily transition for the birds, so there is often a lot of action. Although a mass take-off can occur at almost any time if something sets off the flock, they become more likely and more impressive in the evening. They also become more difficult to photograph! As light fades and the subject becomes more interesting, the photographic challenges of low light increase. Rather than giving in to the dimming light I often take a different approach and embrace the motion blur, following the general mass of birds but allowing the fine details to soften and merge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Geese, Reflection, Fog

Two Geese, Reflection, Fog
Two geese float on a winter pond in morning fog, Great Central Valley

Two Geese, Reflection, Fog. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Two geese float on a winter pond in morning fog, Great Central Valley

As is typical, this morning in California’s Great Central Valley began in fog — for so think that it initially obscured almost all potential subjects, at least if they were more than a few yards off of the route. Many times we could hear large numbers of geese and cranes that were not visible in the fog, but eventually some would break off from the flock and fly over and past us.

The fog is among my favorite features of winter in this valley, especially in the lowland wet areas where it can be foggy on many winter days. The fog transforms the landscape in many compelling ways. By obscuring distant detail, subjects can sometimes be seen apart from their regular surroundings. It is possible to make photographs in locations that would have been far too busy in “good” light — the fog selecting obscures of mutes more distant subjects. Here I stopped in a spot where there were few geese at all, though those that were hanging out here we floating serenely on the surface of the pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Ben Is Watching

Ben Is Watching
A Brooklyn, New York wall

Ben Is Watching. December 21, 2015. Brooklyn, New York. © Copyright 2015 G Dan Mitchell – all rights reserved.

A Brooklyn, New York wall

I generally make it a rule to not photograph graffiti, though it is not quite a hard and fast rule. I almost never photograph a subject with someone’s vanity tag on it, and in a few cases when a larger subject as been compelling I have removed or defaced the tag in post. There are probably a range of reasons that one might write or scribble or draw on public and private property, ranging from a poor sense of social belonging to a desire to produce something like art — so the decision to show or not isn’t without context.

In this case, the wall seemed to be one that had become, likely by more or less popular agreement (or a concession?) a place where such public art is perhaps not only tolerated but also expected. While a simple tag doesn’t usually interest me, here there were layers of text and imagery that had been assembled over time and then modified by weather, wear, and perhaps later contributors. Eventually, the accidental juxtapositions seem to take on their own lives, as in this vignette featuring a worn dollar bill image of Benjamin Franklin, and oddly anthropomorphic red and white and green shape, bits and pieces of paint, and the underlying old brick wall. And, of course, this is all very temporary — and probably transformed or gone by now.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.