Rocks and Grass, Sierra Foothills

Rocks and Grass, Sierra Foothills
Wildflowers and new grasses begin to sprout in the Sierra Nevada foothills.

Rocks and Grasses, Sierra Foothills. Mariposa County, California. February 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildflowers and new grasses begin to sprout in the Sierra Nevada foothills.

The “impossible green” season begins early in California. I want to call this a “spring” photograph, but unlike many colder parts of the USA, these colors come to California in late winter. The effect is especially striking in years with good winter rains, and after four years of crushing drought much of California has received between normal and above normal rainfall this year. This past week it seemed like the Sierra foothills were taking advantage of all the moisture and of a recent warm spell.

Over three-day period we spend time in the Central Valley, Yosemite, and in the Sierra foothills. On the first day we were somewhat surprised to see the California Golden Poppies were already blooming in places in Merced Canyon, covering hillsides with a carpet of colorful flowers. Lower down in the foothills the short grasses have turned intensely green and wildflowers are beginning to bloom.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Columns, Whitney Museum

Columns, Whitney Musuem
Repeating forms of cylindrical columns

Columns, Whitney Museum. Manhattan, New York City. December 27, 2015. © Copyright 20165G Dan Mitchell – all rights reserved.

Repeating forms of cylindrical columns

I admit it — photographing at the new Whitney Museum in Manhattan almost felt like play. The building is interesting in and off itself, but especially interesting on the high and open outdoor terraces that thrust out from the building toward the city. Although there are no people in this photograph — in fact, I had to take some care to ensure that was the case — the location was also a prime place to photograph people.

These columns occupy a corner, up against a wall, on one of the upper floor outdoor terraces. Their positions allow light to shine on them from multiple directions and on this very cloudy day the light was soft and luminous. Although this is the sort of thing that I might prefer to shoot from the tripod, I was working in street photographer mode and therefore had to shoot handheld, carefully lining up the verticals, trying to obscure a few places where the background shone through between the columns, and then waiting for people to pass by and not be in the shot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands Island, Fog

Wetlands Island, Fog
Thick tule fog obscures the view of a San Joaquin Valley wetlands island

Wetlands Island, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thick tule fog obscures the view of a San Joaquin Valley wetlands island

I can’t think of nicer weather for California’s Great Central Valley! (Well, unless you really need to get somewhere by car, in which case this kind of pea soup fog will slow you down, drive you nuts, and make you worry about those drivers who insist on traveling through it at high speeds.) I had a pretty good idea that it was going to be “this kind of day” as I approached this favorite bird photography location. Most of the drive had been clear, but a few miles away the fog suddenly thickened and soon I was creeping along narrow back roads at low speeds.

Our photography begin in fog so thick that we really could not see any of the birds that we heard, even though they were obviously not that far away. Finally it began to thin enough that we could see a few birds, dimly, though the mist. We photographed them for a while, and then I decided to make another circuit of the spot before the fog dissipated. Partway along the fog became less thick and it began to glow from above. I stopped, switched gears from bird photographer to landscape photographer, and made several photographs of these mostly obscured islands and trees and bushes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Basalt Columns, Lichen, Autumn Plants

Since this photograph is in the 2016 Yosemite Renaissance 31 exhibit that opens this evening, I am reprising it for today’s post.

Basalt Columns, Lichen, Autumn Plants
Autumn plants and lichen lend color to basalt columns, Devils Postpile National Monument

Basalt Columns, Lichen, Autumn Plants. Devils Postpile National Monument, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn plants and lichen lend color to basalt columns, Devils Postpile National Monument

Quite honestly, this photograph was at least partially the product of laziness! We were recently in the eastern Sierra Nevada for a few (more) days of autumn color photography. We had driven up late the previous day, and by the time we got settled in to our lodgings the idea of getting up again at “oh-dark-thirty” to head out and make dawn photographs was not appealing. Rather than overtly cop out, we sort of agreed to maybe not set alarms and instead just sort of see when we might wake up. Needless to say, on the morning after a very long drive that ended late at night… we did not get up at the crack of dawn! In fact, we wandered out for breakfast at perhaps 7:30 or so, and only then returned to our room to get ready for photography.

With no prior planning at all, we made  a more or less spontaneous decision to visit Devils Postpile National Monument, which was to our lodgings at Mammoth Lakes. I’ve been in that area many times, but always in conjunction with backpacking trips, and most of those simply headed out from Agnew Meadow. We finally got down there in the middle of the morning. It turns out that this is actually a very good time to photograph this geological structure, as the sun is behind it, producing beautiful soft shaded light on the details of the basalt columns. To make a series of photographs from which this image comes, I used a very long lens, which allowed me to isolate and compose photographs out of small areas of the much larger wall of basalt columns. (Update — December 2015: Patty Emerson Mitchell reminds me that I almost left my camera in the car on this morning, claiming that I was really just there to let her see this location!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.