Tag Archives: afternoon

Photographs: Photographers

Photographer David Hoffman

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Photographer David Hoffman
Photographer David Hoffman

Photographer David Hoffman. Capitol Reef National Park, Utah. October 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Photographer David Hoffman works the late afternoon canyon light at Capitol Reef National Park

Capitol Reef National Park is, of course, a spectacular place to make photographs, with a wide variety of potential subjects ranging from the obvious icons to things that are possibly not as immediately obvious. I’ve had the good fortune to photograph there on perhaps four occasions now. Each time I visit I discover new aspects of the park that I had not previously known. My first visit was largely to the popular and accessible tourist areas near the Fruita district. A second visit took me to another side of the park over gravel roads. A third visit went beyond those roads to investigate some less known areas that required some advance knowledge and hiking.

The fourth visit was a bit different from each of the others. After photographing alone elsewhere in Utah, and before meeting some other photographers to “work” a more remote area, Dave and I met up for a few days in Capitol Reef. Since it was his first visit to the place, we combined photography of some accessible areas with visits to a few of the areas that are a bit more off the beaten track, and we visited some of the familiar areas at odd times when few others were there. Here, Dave is photographing the rocks and walls of one of the many canyons in the park.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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DUMBO Afternoon

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DUMBO Afternoon
DUMBO Afternoon

DUMBO Afternoon. Brooklyn, New York. August 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

People along the waterfront, DUMBO, Brooklyn Bridge Park

I think I was vaguely aware at the time when I made this photograph that I was being affected by a painting that I had seen a few days earlier in Chicago. We traveled from California to New York City by train on this visit, and we stopped for a couple of days in Chicago — since we had to switch trains we figured that this gave us an excuse to visit that city a bit. Among other attractions, the Art Institute of Chicago is there, located in Millennium Park, which was just a short walk from where we were staying. There was a lot to see there, but one of the more famous pieces is Georges Seurat’s “A Sunday on La Grande Jatte,” so we had to go see it. I was already familiar with other paintings by Seurat and with this one by means of reproductions, but it is a very different experience to see such a thing in person. I have a habit (perhaps annoying to friends and family members!) of taking a lot of time with original work like this — I can never know when or if I’ll see it again, so I spend enough time going over it, somewhat methodically, that I can begin to see features that aren’t visible with a quicker look and I can also fix many elements of the thing in my mind so that I can recall them later.

As we walked along the Brooklyn waterfront a few days later and paused near the river taxi terminal, I began to look at the people who were busy walking, standing, and making photographs of themselves along the water from a sort of personal Seurat perspective. I waited for a group with an interesting set of clothing colors to arrange themselves in an interesting composition and perhaps create a sense that each of them, individually or in groups, might have a story: a woman stands alone, another looks toward other people, a man squats to make a photograph, a couple in purple and orange converse near the fence, two young women are exercising their dogs, a couple at the right (both of whom wear green) look out of the frame.

  • For those who many not know, “DUMBO” is the name of an area in Brooklyn — it is located Directly Under the Manhattan Bridge Overpass.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Western Horizon

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Western Horizon
Western Horizon

Western Horizon. Big Sur Coast, California. July 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Thin clouds above afternoon sunlight reflected on the Pacific Ocean

This photograph begins a series from recent photographs of the Big Sur coast along the Pacific Coast Highway in California. After a week of being cooped up at home (which construction work was underway) I was itching to get out into the (more) real world, so I took a day for a long, all-day trip down this coast and back to make photographs. The trip reminded me of a lot of things, but among them was how wonderful it is, on a day of terrible inland heat, to be able to hug this coast where it remained cool and damp!

I’m one of those who is fascinated by the brilliant sunlit ocean surface and the way that it can recede towards an almost invisible horizon when the combination of light and atmospheric haze is just right. The high bluffs along this route can be excellent places to observe this and more.* At times the surface of the ocean takes on the appearance of molten metal and is almost too bright to look at. I always watch for these conditions when I am in this area, and I was not disappointed on this visit. In this scene, a group of passing thin clouds provides a visual counterpoint to the brilliant reflection on the ocean’s surface.

  • The “and more” I’m thinking of refers to an unbelievable California coastal experience that I shared with a number of other visitors at the end of this day. There are few other places in the world where you can pause at the top of cliffs hundreds of feet above the open sea at sunset, and watch for perhaps a half hour as a pod of gray whales assembles to feed, periodically breaching.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Base of the Panamint Range

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Base of the Panamint Range
Base of the Panamint Range

Base of the Panamint Range. Death Valley National Park, California. April 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The lower reaches of the Panamint Range drop to the floor of Death Valley

The stillness of this image belies what was actually happening when I made the exposure. It was late afternoon, and the sun was just above the ridge of the Panamint Range as we drove down through Death Valley, past the Mustard Hills and towards Furnace Creek. As often happens in the spring, the winds were rising. I saw the scene and immediately knew I wanted to stop and photograph it, with the backlit hills rising across the far side of the Valley. I grabbed my tripod, camera, and one lens and headed across the side of a nearby hill that looked like it might provide me with a higher vantage point, and immediately recognized that wind was going to be a real problem.

The same wind that had filled the atmosphere with the beautiful haze that was glowing in the backlight was also making it nearly impossible to photograph. There are some winds that are strong enough that almost no tripod can hold a camera still, and this was that sort of situation. I set up, hanging onto the tripod to prevent it from blowing over, and waited for a lull in the wind. The wind momentarily diminished enough for me to make a few exposures as a cloud shadow darkened the foreground salt flats.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.