Tag Archives: america

East Slope Aspens, Autumn

East Slope Aspens, Autumn
A large grove of autumn aspen trees extends up the lower reaches of the Eastern Sierra Nevada.

East Slope Aspens, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A large grove of autumn aspen trees extends up the lower reaches of the Eastern Sierra Nevada.

Many of the autumn aspen photographs that we see feature extensive groves tall, straight trees with beautiful white trunks, and sometimes the groves seem to stretch across entire mountains. For the most part, those are not Sierra Nevada aspens! While you can find some similar examples in the Sierra if you look around a lot, most of “our” trees tend to be a bit smaller, and they are often a bit more twisted and gnarly. Some, in fact, are downright small. If you are used to seeing those straight and tall groves… the Sierra may teach you to appreciate different sorts of trees.

However in a few places there are some rather large groves. They frequently show up in places where the aspens have little competition from conifer forest trees — on the tops of some ridges and in some of the sagebrush high country on the eastern flank of the range. This scene is an example of the latter, and the interlocking groves spread across the rise of these hills toward the eastern side of the Sierra in terrain that is otherwise largely open and dry.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest and Shoreline Boulders

Forest and Shoreline Boulders
Trees growing on rocky terrain along the edge of a Yosemite wilderness lake.

Forest and Shoreline Boulders. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees growing on rocky terrain along the edge of a Yosemite wilderness lake.

While this scene is at a specific little lake in the Yosemite National Park wilderness, it might as well be just about anywhere in the Sierra, its features are so typical of the Range of Light, at least in this high elevation forest zone. Many of the lakes reside in glacially carved hollows, and as a result there are often rocky areas surrounding them. The most recent glaciers came recently enough that the soil is rather thin in many places, but everywhere meadows and forest live next to these lakes.

Because it appears that I am photographing across the lake toward this shoreline you might imagine a rather small lake. But there was a small peninsula that allowed me to get out into the lake and photograph the shoreline from a rather close distance. (There was a lot larger expanse of water behind me than in front of me!) In addition to the rocks and the reflections, this scene includes one of my favorites — backlit trees, here given a bit of separation from the background mountain by means of some late summer haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Basin, Morning

Mono Basin, Morning
A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

Mono Basin, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

This photograph is another long view of Mono Basin and Mono Lake, with Paoha Island centered in the frame. Paoha Island is, like its companion Negit Island, the product of volcanic activity where a long string of volcanic sites intersects the lake. You can find lots of other volcanic cones on this like both north and south of Mono, including the much taller and older Mono Craters just to the south.

When I first came to Mono Lake and photographed it many years ago, I typically tried to get very close to the edge of the lake, for example photographing tufa formations along its edge. But over the years I’ve become more fascinated by the longer views that take in the vast space in and above the Mono Basin. To really see this it helps to find an elevated location, and there are plenty of them to see if you poke around a bit in and around the Basin. This photograph was made near the base of the eastern escarpment of the Sierra Nevada, and it looks across the lake and beyond to eastern mountains that belong to Nevada’s basin and range terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wilderness Lake, Late Season Light

Wilderness Lake, Late Season Light
Hazy, late-season light at a Yosemite backcountry lake showing signs of autumn color.

Wilderness Lake, Late Season Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Hazy, late-season light at a Yosemite backcountry lake showing signs of autumn color.

On this first day of autumn I am queuing up this photograph to appear on my website a day later. (Some of you may see it on social media on the equinox.) The photograph provokes the question: When does fall actually start, anyway? It might seem like the objective answer would be obvious, but perhaps not as much as we would think. One definition — the most common one — says that fall, or autumn, beings on the date of the autumnal equinox when the sun is again directly overhead at the equator. However, I’m aware of at least two other ways of looking at this. One refers to so-called “meteorological fall,” which I understand to be the months of September, October, and November. (I’ve always felt that these were the months of autumn.) Another method, which also makes a lot of sense, starts and ends the seasons on so-called “cross quarter days,” the days midway between equinox and solstice.

This photograph falls into this gap and illustrates the conundrum. I made the photograph a few years ago when a group of use spent a few days photographing this backcountry Yosemite Lake and its surroundings… near the start of September. The astronomers will tell you it was still summer, but the meteorologists and backcountry travels will note that the scene had a distinctly autumnal quality, especially from the lovely red bilberry plants in the foreground. Whatever system you follow, there was no question that this was a day more full of the sensations of autumn than of summer.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.