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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

East Slope Aspen Grove

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East Slope Aspen Grove
Fall colors in an aspen grove along the east slope of the Sierra Nevada.

East Slope Aspen Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

Fall colors in an aspen grove along the east slope of the Sierra Nevada.

I hope you’ll pardon me for reverting to the Eastern Sierra fall color theme over the next few weeks. It is that time of year again. (For those of you seeing this photograph and wondering if you just missed this year’s color — this photograph comes from a pervious year.) While I have not been up there recently (soon, I hope!) to see how things are coming along, I’ve heard rumors of folks seeing early color more or less on schedule. We’re still roughly two weeks from what I think of as the start of the core aspen color season, starting in early October and generally lasting through the third week or so.

This scene holds a lot of what I look for in the Eastern Sierra in the fall. There are several sub-groves of aspens running across the scene — you can see them by their different phases in the color transition. Here we also see something that you don’t see everywhere in the Sierra, namely rather tall and straight trees. There is a bit of color from some non-aspen brush in the foreground, in the case of this location because it is at the edge of high sage brush country.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Sierra Shoreline, Morning

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Sierra Shoreline, Morning
Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

Sierra Shoreline, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

This photograph brings back a bunch of wonderful and somewhat wistful memories. I made it on a weeklong wilderness trip with a group of photographers with whom I’ve been heading into the Sierra backcountry almost every summer for more than a decade. (The “wistful” part of the memories is largely because the pandemic has prevented us from getting together again this summer.) We typically spend that time exploring some beautiful Sierra location, base-camped long enough to really get to know the place. Every morning we emerge from tents in darkness and head out to photograph for hours. We return to camp in the middle of the morning with stories to tell and chores to take care of. Late in the afternoon we head out into the field again, photographing until the light fades and we return to camp in darkness. The we do the same thing the next day.

This trip took us to a beautiful little forested lake in the Yosemite backcountry, a place I had not visited previously even though I had been in the general area quite a few times. The lake is up high, with expansive views from nearby ridges, and surrounded by forest. On most mornings I did a slow circuit around the lake as the light arrived. This lovely section of shoreline was more or less on the opposite side from our camp, and after photographing it more than once I figured out the light well enough that I was able to photograph it in the soft morning light just before the sun arrived, when the water was still smooth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Shadow and Wall

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Shadow and Wall
The ephemeral shadow of a passing figure on a wall in Manhattan.

Shadow and Wall. © Copyright 2021 G Dan Mitchell – all rights reserved.

The ephemeral shadow of a passing figure on a wall in Manhattan.

One evening in Manhattan, we were out for a walk along the Highline Park. As always, I was carrying a camera. (Yes, I think I drive my family crazy that way.) I’ve been there a number of times, and I’m usually intrigued by the buildings that line this park — their textures, their windows and rooftops, the glimpses of what goes on in them as the life of the park moves past. I think I was trying to think of a way to photograph the texture of this concrete wall when I came upon this bit of light coming across the walkway and casting shadows.

It is hard to recall too many more specifics of the scene, though I have a series of perhaps a half dozen or more photographs, made as various people moved through the lower part of the scene or, more accurately, their vague shadows moved through the scene. When people ask what sort of camera I carry to places like this, my answer is that it is usually a small camera equipped with small prime lenses. This photograph perhaps illustrates why that is. I can always have such a camera with me, I can use it quickly and without much fuss, and it even works in very low light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake, Photographs: Nature

Mono Lake Islands, Morning

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Mono Lake Islands, Morning
Morning light and haze on Negit and Paoho Islands, Mono Lake and Mono Basin.

Mono Lake Islands, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light and haze on Negit and Paoho Islands, Mono Lake and Mono Basin.

There are many ways to look at Mono Lake, and a seemingly infinite number of viewpoints to use to take those looks. Many of the most common spots are along the western shoreline, not far from US 395. Not far behind are some of the better known tufa formations. But this is a huge lake and its visual presence is part of the experience throughout the Mono Basin and nearby portions of the Eastern Sierra. Wander about this greater landscape a bit and you’ll inevitably find new and often surprising ways to see the lake and its two volcanic islands.

Since there are so many vista points, the specific identity of any one of them seems somewhat beside the point. In this case I was in a high, quiet, and pleasantly lonely area along the eastern front of the Sierra very early in the morning, which gave me a higher perspective and let me clearly see the major mountains beyond the lake to the east. As the photograph was made in autumn, the typical haze in the atmosphere muted the details of the distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.