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Five Sandhill Cranes

Five Sandhill Cranes
A chorus of five sandhill cranes in California’s Central Valley.

Five Sandhill Cranes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A chorus of five sandhill cranes in California’s Central Valley.

I have seen a lot of sandhill cranes, but the group behavior seen here was new to me — the entire quintet raising their heads and displaying open beaks. I’m endlessly fascinated by the things that the birds and others do, and I’m often mystified by the purposes of these actions. In fairness, they may also be mystified by people showing up nearby, standing around with large metal and glass objects, and pointing them in their direction.

It is a bit unusual to get very close to sandhill cranes, at least in my experience. They have boundaries, and they are not amenable to having them crossed. I’ve mentioned previously that groups of them flying toward me will almost always divert to one side or the other rather than flying directly over head. When approached — which I always do in a non-aggressive manner, never getting very close — they seem fine up to a point. But once that point is reached, usually while I’m a good distance away, they are clearly uncomfortable with my presence and I don’t get closer. I’ve often had the best luck when photographing from a vehicle, especially when I can approach slowly and silently or, better yet, when I can park and wait for them. That’s what happened here — I was stopped along a rural roadway and they walked parallel to my position, perhaps more securely since my vehicle was on the opposite side of a berm from them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Edge Of The Grove

The Edge Of The Grove
Autumn color at the edge of a grove of white-trunk aspen trees.

The Edge Of The Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn color at the edge of a grove of white-trunk aspen trees.

In a recent post I mentioned that I was almost done with fall color photographs for the year. Maybe. Sort of. But no promises. So here’s another one. This grove is a bit atypical for the Eastern Sierra, where we often see small groves of trees that are twisted and bent, and where continuous groves a tall, straight trees are the exception. I’m not certain why this is the case in “my” mountains, but I suspect it has to do with the rugged and often-rocky landscape, the relatively dry climate in parts of the range, and likely other factors. This grove on the eastern edge of the range abuts sagebrush high desert country, and perhaps the more open terrain allows the trees to get more light than they might receive in a deep valley.

This photograph differs from most that I share in that it is a re-working of a photograph that I shared a few years ago. A photograph is not necessary a finished thing, and a given version represents what and how the photographer saw the image at a particular point in time. We change and our way of seeing changes, and when we look back at earlier work it is common to reimagine how we might interpret the subject. Here the changes are mostly along the lines of “tuning up” the image a bit. There’s a slight tightening of the crop, some differences in how the colorful leaves appear, and some small changes to the foreground and the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Waiting For Transit

Waiting For Transit
People await their ride at a San Francisco light rail station.

Waiting For Transit. © Copyright 2021 G Dan Mitchell – all rights reserved.

People await their ride at a San Francisco light rail station.

Perhaps you already knew that I made this photograph a few years ago — it is in San Francisco, it is at a transit stop… and no one is wearing a mask! You wouldn’t find that combination today. (That’s one reason that the San Francisco Bay Area has among the lowest infection rates in the country, but I digress…) I made the photograph on one of my photography days in San Francisco, which tend to follow a familiar pattern: Up well before dawn, catch a train to the City, arrive around sunrise, spend the morning wandering on foot and photography, then take the train back home my mid-afternoon. San Francisco is a very walkable city, and you can cover a lot of ground there on foot.

Recently I had the pleasure of giving a talk on street photography to a somewhat surprising group, the photography section of the San Diego Chapter of the Sierra Club. That’s not your typical topic for this group, and I was aware that there might be some skeptics. My premise is that doing street photography (and other kinds of not-nature photography) can make you a better photographer, and that the benefits can accrue to your nature photography, too. I can’t recreate the entire talk here, but this photograph embodies a few key ideas. First, it takes advantage of a very local photographic opportunity, so I can photograph even when I can’t travel to lovely, far away, natural places. Second, it treats the street as a kind of urban landscape, occupied by “human wildlife.” In fact, I often construct photographs like this one by first finding the “landscape” and then waiting for passers-by to populate it. Third (and final for now) photographing these local subjects is good “practice” that keeps my ability to see photographically tuned up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cherry Pickers

Cherry Pickers
A line of cherry pickers along a San Francisco street.

Cherry Pickers. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of cherry pickers along a San Francisco street.

Since the previous photograph I posted featured cranes (of a different sort!) I suppose that you could, from a certain perspective, regard this as part of a series. Well, these are sort of cranes, right? I encountered them along a San Francisco street a couple of years ago, in an area under extensive construction as part of the underground expansion of the City’s transit system. I can’t explain why there would be quite so many cherry pickers lined up in a row, but they certainly caught my attention.

I think this photograph my be an example of how the act of carrying a camera can change how you see. I know it changes how I see. Normally, I might give this sight no more than a moment’s notice before moving on: “Interesting. Cherry pickers parked along the road.” But with a camera in hand I start to ask visual and other questions: Who thought to segregate them by color? Do they always store them this way or did someone carefully extend them so their angles nearly matched? Am I the only person who thought they looked like gigantic anthropomorphic figures marching to the right?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.