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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Brush and Trees, Eastern Sierra

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Autumn Brush and Trees, Eastern Sierra
Brush and trees begin to take on autumn colors along the base of the eastern Sierra Nevada.

Autumn Brush and Trees, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Brush and trees begin to take on autumn colors along the base of the eastern Sierra Nevada.

My first memories of Sierra Nevada aspen trees could not be more different than what we see in this photograph. Those early experiences came on backpacking trips when trails briefly traversed small groves. I’m thinking of several of them as I write this — a small section along a trail to Cathedral Lakes, arriving at such groves when descending from the crest on the east side, various other backcountry locations. I always associated them with the “High Sierra,” the high elevation, forested wilderness that lies below the exposed high peaks.

It was much later that my perception evolved and encompassed the recognition that these trees can be part of what is essentially a high desert terrain just as easily. I recall a drive east of US 395 into such an area a few decades ago on which I was surprised to find groves of aspens surrounded by rangeland and no other trees. I soon became aware of what had always been there but which I had not noticed — small groups of such trees all along and near the base of the eastern Sierra. This small grove, along with a bunch of shorter brush, grows in a small creek bed passing through an area that is otherwise profoundly dry and seemingly barren.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Mono Lake Basin, Photographs: Nature

Black Point and Negit Island

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Black Point and Negit Island
Tufa formations, Black Point, Negit Island, and distant hills in sunset light at Mono Lake.

Black Point and Negit Island. © Copyright 2021 G Dan Mitchell – all rights reserved.

Tufa formations, Black Point, Negit Island, and distant hills in sunset light at Mono Lake.

Yes, this is yet one more — but probably the last — of the photographs of this lovely autumn evening at Mono Lake a few years ago. Most of the others feature the rising full moon, but I made this one a few minutes before that event, while the last of the day’s sun was still streaming over the Sierra crest and striking the tops of the mountains to the east of Mono Basin.

Besides being a photograph of a beautiful time of day at the lake, the scene includes a number of important little elements that might not be immediately obvious. In the foreground we see a few of the ubiquitous tufa formations that dot the border of the lake, quite a few of which were revealed when Los Angeles’ thirst for Sierra Nevada dropped the lake level. This also reveals sections of the curving lake shore that would have been underwater some decades ago. At the far left is the dark bulk of Black Point, and intriguing formation that few get to actually visit. Just of Black Point’s shoulder is Negit Island, one of two volcanic islands in the lake. to its right you can barely see the low north side of larger Paoho island. And those far mountains where a bit of sun still shines are a very long ways away, and it a location that is pretty close to inaccessible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Skylights, Manhattan

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Skylights, Manhattan
Skylights glow in the gathering darkness on a Manhattan rooftop.

Skylights, Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Skylights glow in the gathering darkness on a Manhattan rooftop.

Given the right camera position and the right light, small and easily overlooked bits and pieces of the urban architectural environment turn out to be interesting. I’ve long noted that in dense, urban environments the exteriors of living spaces are often far from attractive — at best they are utilitarian and at worst they can be downright ugly. My theory is that people, for the most part, do not regard the exteriors of their spaces the way we might in space-filled suburban environments. They don’t use these exteriors to present themselves to the world —no gardens, no fancy paint, no cute signs… just the functional and often well-worn necessities.

I don’t know for sure what is beneath these skylights, but I suspect that it could be someone’s living or work space. I’d also bet that whoever occupies the space has little or no idea of what these skylight look like from the outside, and they may not even think about the potential that people like me walk by every day and may look at them. From inside, the skylights are a way to let light in. But at night, to the passer-by, they become a source of light themselves as they radiate outwards.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City

Rebuilding, Manhattan

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Rebuilding, Manhattan
Cranes atop the new World Trade Center building.

Rebuilding, Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Cranes atop the new World Trade Center building.

Those who recall the events of 9/11 have a variety of memories of that date and what followed. The subject is too big for me to claim to address it in two paragraphs and a photograph, so I’ll simply recall a few things of my own from that date. Back then it was my habit to get up early, turn on the radio while having breakfast, and listen to news. The first report here on the West Coast lacked much detail but mentioned a plane hitting one of the towers. I immediately thought of older incidents where small planes struck tall buildings, and I assumed it was such a story. But from there began a crescendo of news that got worse and worse over the day and beyond — thousands died and America went to war and the effect still reverberate.

On a visit to New York around New Year’s Day 2000 we had ridden the elevators and climbed the stairs to venture out on the catwalks above one of the towers at night. Among other things, we had watched passing planes from that vantage point. We did not visit New York again until very close to exactly one decade after the attack. Thinking back, we somehow mostly managed to avoid the WTC site until late in the visit when we finally went there. It was an overwhelming experience, though at that point it was a construction site — a place of growth rather than destruction — but the fact of what had happened there could not be ignored. I made the photograph of the new tower under construction from the Brooklyn Bridge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.