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Yellow Building, Ventilation Towers

Yellow Building, Ventilation Towers
Night photograph of a building in yellow light and ventilation towers, Mare Island

Yellow Building, Ventilation Towers. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of a building in yellow light and ventilation towers, Mare Island

This was one of the last photographs I made on a recent evening with The Nocturnes at the historic Mare Island Naval Ship Yard. After spending the first half of the shoot exploring some little hidden areas that aren’t quite so obvious, I made my way back towards the “historic core” of the ship yard near the dry docks. This area is well-lit these days, as it is being used to dismantle ships of the “ghost fleet” that have been anchored in the delta for years.

The nature of that light is part of the subject of this photograph. The foreground building, with its classic and well-worn military base construction, stands across a street from the work area. It is brightly lit by sodium vapor lamps whose light floods this entire area, and this kind of lighting has a very warm color cast, so warm that it can give a bright yellow appearances to buildings that are very drab in daylight. Off in the distance is another set of buildings, with some kind of ventilation or cooling towers standing above them. The color of the light on that structure is a mystery — aqua, faint purple, yellow, blue-green. Most likely it is due to a combination of multiple light sources including sodium vapor, industrial LED streetlights, and more. Above all of that is the sky, though it also has a somewhat odd coloration, much warmer that the sky tones in rural areas due to the city lights reflecting on clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Ferns, Tree, and Gully

Autumn Ferns, Tree, and Gully
Boulders, autumn ferns and a small tree line a Yosemite back country granite gully

Autumn Ferns, Tree, and Gully. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Boulders, autumn ferns and a small tree line a Yosemite back country granite gully

For me, intimate scenes like this one define the Sierra Nevada experience at least as much as do alpine ridges and grand scenery. While those subjects are highlights, the feeling of smooth granite, stepping across half-buried rocks and through grasses, finding my way up or down a gully are the core experiences of the place. I wonder if I’m the only person who, when he starts thinking about the sensor experience of the Sierra, mostly recalls these things, along with the sound of gravel beneath boots, echoing off of the rock walls, water flowing in creeks, wind in trees and always the light.

This little spot is probably not one that would get the attention of too many people, unless perhaps they spent a week camped a few minutes from such a gully, crossed it daily on travels around a lake, and often paused to look up and eventually decided to explore a bit. A first glance told me that there was a gully. Another look and I began to see the colors of the rocks and their curve. Returning a few more times I noticed the little spruce tree and the ferns growing among the rocks. And after a week this spot become one more piece of the Sierra as I know it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

D4 Industrial Brownhoist

D4 Industrial Brownhoist
“D4 Industrial Brownhoist” —A massive ship yard crane at night, Mare Island Naval Ship Yard

Among the iconic structures at the historic Mare Island Naval Ship Yard, these huge, movable hoists are possibly the most visible and the best know. Seen from across the water in the town of Vallejo, they tower above the rest of the island, and they have strange forms that suggest something alive. There are a number of them surrounding the dry dock areas, where they were used in the manufacture of military ships. Today they are used to dismantle some of the same sorts of vessels.

During the dozen or so years that I’ve been photographing Mare Island at night, the hoists have always been behind security fences, and it wasn’t possible for me to get very close to them without hopping fences. (Most of us who photograph here eschew such illegal activities, and the result has been mostly very good relationship with the island and its residents.) So when I finally walked over towards the waterfront near the end of this evening’s shoot, I was very surprised to find that this hoist had been moved, rolled out on its tracks to a location where I could walk right up to it. After years of photographing them straight on from a distance, I was glad to have the opportunity to photograph this one from almost directly below, highlighting its immense height and bulk.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Grove of Bare Aspen Trees

Grove of Bare Aspen Trees
A few autumn leaves linger on a grove of bare aspen trees, eastern Sierra Nevada

Grove of Bare Aspen Trees. Eastern Sierra Nevada, California. October 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few autumn leaves linger on a grove of bare aspen trees, eastern Sierra Nevada

No, I’m still not done with my photographs from autumn 2015 in the Sierra Nevada! This year I first photographed this grove in late September, much earlier than would normally be the case. Even then many of the trees had already lost their leaves, seemingly in response to the fourth serious drought year in the Sierra. The drought affected trees in a variety of ways, ranging from early color change to simply dropping leaves without a color change to seemingly going dormant. (Other trees that were less stressed seemed to change later than usual, perhaps in response to later warm temperatures resulting from climate change.) I was less than satisfied with those first late-September photographs of these trees, so I thought more about them after returning home and made a plan to return the following week and refine my ideas.

And that’s just what I did. I made this photograph one week after those first images. This time I spent less time at the grove since I already had a fairly clear idea of what I was trying to produce. Given how few leaves there had been the week before, I was somewhat surprised to find any color still left here — but I was also happy that there was some! Bare and near bare late-season aspen trees seem compelling to me, for reasons I cannot quite put my finger on. Is it that they signal the fine, incontrovertible end of the warm season? Or is it that they signal the certain arrival of the beauties of winter? Perhaps there is something about these bare trees standing in groups and their promise of new life the following spring? When there are still just a few colorful leaves remaining, as in this scene, somehow the effect seems even stronger.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.