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Brick Building, Doorway, Reflected Sky

Brick Building, Doorway, Reflected Sky
Brick Building, Doorway, Reflected Sky

Brick Building, Doorway, Reflected Sky. Bodie, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The desert sky is reflected in the windows of an abandoned brick building in the ghost town of Bodie, California

I have been to Bodie quite a few times, but I rarely go there anymore unless I think something interesting might happen with the weather. The place is often sun-blasted, with cloudless blue skies, and during the part of the year when it is most often visited it tends to be quite hot and dry. Don’t get me wrong – Bodie is a fascinating place and its story is even more interesting. I’ve visited a number of ghost towns and isolated abandoned structures in the outback of California, and the sheer scope of this ghost town sets it apart, as does that fact that California has worked to sustain it in a state of suspended decay.

We were wandering around the eastern side of the Sierra Nevada and points further east of that on the final day of our five-day “aspen chasing” visit this October. Most often my plans are a bit general and/or flexible, and I like to adapt to changing conditions rather than stick to a preset shooting schedule. On this day we were surprised to find it snowing when we awoke in Mammoth Lakes, and as we left town to explore in an eastward direction we stopped to photograph dawn snow flurries over the Sierra crest. Eventually, after going a good distance out toward the Nevada border, we looped back to the north and ended up in Lee Vining, where we grabbed a (very late!) breakfast at Nicely’s. The possibility of going to Bodie was somewhere on the list of options, but when we continued to see snow falling about the town and clouds to the north and east, we decided to head out there to see what we could find. In the end, there was no snow falling in Bodie – though it had fallen there earlier that day – but it was very cold and very windy and broken clouds provided interesting and changeable light. One of my main subjects as I wandered around the town making photographs turned out to be the doors and windows on the old buildings. Perhaps ironically, given my usual lack of interest in sun-blasted Bodie, I shot this scene in nearly flat front light – but it seemed appropriate for this old and weathered building and the reflection i the old windows of the very blue cloud-filled sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Decaying Tree

Decaying Tree
Decaying Tree

Decaying Tree. Kings Canyon National Park, California. September 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The decaying stump of an ancient sub-alpine Sierra Nevada tree

I came upon this jumble of the remains of a very old and large tree while walking about on our first full morning camped at the spot where we would remain for six nights in the Kings Canyon National Park high-country. From our camp at about the 11,000′ level I walked uphill, intending to investigate a dome on the ridge behind us and to see if I could find anything to photograph around a small lake that I could see on our maps.

As I walked up the hill I passed through small meadows and by dried-up tarns with their barren rocks and the branches of various fallen trees. As I approached the location of the lake I had to find a route between rocks and various small but thick groves of trees. As I passed one of these spots I noticed this old tree in the (long) process of disintegrating. The boundary between these ancient and rugged living thing and rock has sometimes seemed fuzzy to me. While I understand that the rocks are far, far older than any tree, these trees grow so slowly, are often so twisted and gnarled, wind so intimately among the rocks and boulders, and are of a color that looks more like rock than wood.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Sea Stacks

Shoreline Sea Stacks
Shoreline Seastacks

Shoreline Sea Stacks. Port Orford, Oregon. August 20, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Giant shoreline sea stacks along the Oregon Pacific Ocean coastline.

As we traveled south along the Oregon coastline on the Oregon Coast Highway (US 101) we passed through various towns ranging from quite small to middle-sized. Eventually we came to Port Orford, which did not seem to us to be all the exceptional of a place – though apologies to Port Orfordians, who probably know the beauties of the place far better than some Californians quickly passing through! However, there was one interesting feature that immediately caught our attention. As the highway pass through the town it curves to the left to follow the coast. But at the point where the curve went left, a short section of road continued straight ahead to the top of a hill that appeared to overlook the coast, and a giant sign hand-painted on the roadway almost demanded that we leave 101 and see what was there.

Just over the top of this short side road was an open view of the coast to the south, curving inland right below the town to form a shallow bay. Slightly beyond this we could see a set of large sea stacks along the beach… but no picture in this particular light from our position. We continued on along the highway, curving through town and then back towards the south, and soon came to the spot where the sea stacks stood. Despite some tricky light, including wildfire haze and afternoon intense light, we paused to make a few photographs. First, a large group of pelicans surprised us by slowly flying by into the strong headwind and then landing almost directly in front of us at the waterline. Then I put a longer lens on the camera and went looking for an angle that would let me combine near and far towers with a bit of surf along the wild beach.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh Grasses, Fog

Marsh Grasses, Fog
Marsh Grasses, Fog

Marsh Grasses, Fog. San Joaquin Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Marsh grasses in a pond on a morning of dense fog in California’s San Joaquin Valley

This photograph is from a visit to one of the places where I photograph birds this time of year, a trip I made back in late November. Aside from one earlier trip to photograph sandhill cranes further north, this was my first attempt to find and photograph geese this season. (There were geese, but just not yet the Ross’s and snow geese that arrive a bit later on.)

Although it had been nearly clear on my long pre-dawn drive over to the valley from the San Francisco Bay Area, I hit thick fog about 15 minutes from my goal. From my point of view, that is good news! Clear light and atmosphere can be good, too, but fog is more evocative and mysterious – and as it thins and clears the atmosphere goes through a series of very different stages, each of which brings different photographic opportunities. I arrived a few minutes before dawn and began to photograph in fog so thick that I couldn’t see very far at all. After photographing the filtered light of the sunrise I moved along a bit further to an area where I can often find sandhill cranes. On this morning I had more luck identifying them by sound than by sight!  Since I couldn’t see the birds I decided to photograph the ponds and surrounding vegetation in the thick blanket of fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.