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Merced River, Forest, Autumn

Merced River, Forest, Autumn
Merced River, Forest, Autumn

Merced River, Forest, Autumn. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Colorful autumn trees among burned forest and reflected in the water of the Merced River, Yosemite Valley

This is, in several ways, a “quieter” photograph than some that I have posted recently. The location is along a section of the Merced River in Yosemite Valley that is probably not really seen by more than a handful of people, if that, on any given day.The spot is not special enough, if specialness is definable, to warrant its own particular name. (However, a few people do have a name for it – but it isn’t really to be shared here.) So the scene itself was, objectively speaking, quiet – the only others around were a couple of photographer friends working individually nearby, there was no wind, the river was as calm and quiet as I recall seeing it – barely even flowing, and almost nothing was moving in the forests along its banks.

There was another kind of quiet, too – the mental quiet that I often look for while photographing, especially in places like this. It is easy to let my mind wander – is this the right place to stop? should I check email before leaving the car? is there anything here that will make a great photograph? might it be easier to shoot someplace more predictably beautiful? what if I can’t find anything to shoot? Leaving my car behind and shouldering my tripod and bag of gear, I walked down to the river bank and began looking. My notions about what I might photograph are not so important – being open to what I might find to photograph is. When you first begin to photograph, it can sometimes take a long time to get into the frame of mind that allows you to slow down and become engrossed by what you see, to the point that you lose track of time and even where you are, focusing entirely on the seeing and the photographing. Eventually, I think you can learn to let this happen more quickly – not that it always does – and to avoid the trap of trying too hard to steer the process and to instead be quiet and open to what you see. And so, thinking back on this evening, as I made my last photographs before heading home, I recall the sense of quiet focus as much as the objective features of the scene itself.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Snow, Parker Canyon

Autumn Snow, Parker Canyon
Autumn Snow, Parker Canyon

Autumn Snow, Parker Canyon. Eastern Sierra Nevada, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An October storm brings snow to the Parker Canyon area of the eastern Sierra Nevada

This is yet another photograph from our early October “aspen chasing” trip to photograph fall color in the eastern Sierra. We were on the “east side” for five days, in conditions that began with a full day of snow, then turned mostly sunny for a few more days, and returned to more winter-like weather on our final day. On that last day of the visit we tracked far to the east of the Sierra, out into high desert ranges where we saw many interesting things including a number of stands of aspens in surprising and less-visited places.

We looped back from the east and passed by the south shore of Mono Lake, and coming over the rise between there and highway 395 we were not surprised to see a substantial chunk of the Sierra crest laid out before us… but we were a bit surprised to see that it appeared to still be snowing along the crest. We had awakened to light snow in Mammoth Lakes that morning, but assumed that it was just a passing squall. This seemed to be the case, as we did not see much more in the way of precipitation as we headed east. But these were apparently the sort of conditions in which storm clouds form right over the crest, and the result was this very dramatic scene. Low in the frame, the foreground hills pick up a bit of sunlight, and as they ascend toward higher peaks, aspen trees in full autumn color are visible. A forest filled valley, lined by an old lateral glacial moraine, ascends across the frame from right to left, leading to the entrance to steep Parker Canyon. High above, light snow falls and the peaks around Parker Pass slip in and out of the clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Cottonwood Trees, Meadow, Fog

Autumn Cottonwood Trees, Meadow, Fog
Autumn Cottonwood Trees, Meadow, Fog

Autumn Cottonwood Trees, Meadow, Fog. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning fog drifts through a stand of cottonwood trees with golden autumn leaves, Yosemite Valley

Like essentially everyone who has photographed much in Yosemite Valley, I know this little stand of cottonwood trees very well. It is an obvious attractive photographic subject since its densely grouped trees stand apart from other trees in the middle of a meadow, its “perfect cottonwood-ness” is broken by the presence of a couple of other trees almost hidden within the stand, there are a variety of potential backgrounds for the small grove, at the right times it can be beautifully lit, and the meadow often forms beautiful ground fog early in the morning during certain seasons and conditions. Since the fall color of the trees seemed near its peak, I made a plan to be out there at one of the potentially ideal times on Halloween morning.

On the prior day I had decided on the spot from which I would photograph, with the idea being to make a fairly tightly cropped photograph of the trees with a bit of canyon wall in the background. With this plan in mind, I woke up in the darkness and arrived here well before sunrise and went directly to the spot I had picked out. I was very happy to find ground fog drifting over the meadow and frost on its dried grasses. I started photographing almost right away, before there was any direct light here or anywhere else in the Valley, and I planned to shoot right through sunrise and the point when the first direct light strikes the meadow and this group of trees. Before long, the first bit of sunlight came to the upper edge of the trees, and the light changed quickly as the beam of light from up near Half Dome moved down across the trees and began to cast alternating light and shadow across the meadow. This image from the series of photographs seems like the best combination of fog (which began to dissipate as the sun arrived), sunlight on trees and meadow, and background still in shade.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

First Bird Photographs of Fall

During the past few years I have become a big fan of photographing migratory birds in California’s Central Valley, and now that summer is over I’m anxious to get back out there and get to work on this year’s bird photographs. Actually, we made our first bird photography trip out there about a week ago, on the first weekend in November. Our main goal was to find sandhill cranes, since we knew they were here already, but we were also interested in seeing what else might have showed up.

In keeping with my new policy of posting multiple photographs in a single message when I have too many photographs waiting in the queue, this post includes five bird photographs. Enjoy!

Three Cranes, Morning
Three Cranes, Morning

Three Cranes, Morning. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three sandhill cranes in a dormant field

Late in the morning, long after the morning fly out, we were poking around on some rural backroads when we found a lot of sandhill cranes in dormant fields in thinning morning fog. This group thoughtfully posed for me with a distant pair of trees on the horizon.

Three Sandhill Cranes
Three Sandhill Cranes

Three Sandhill Cranes. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three sandhill cranes stand in a dormant Central Valley, California field

I photographed this group in much the same location as those in the previous photograph. While the cranes seem to collect in large groups near water in the evening and early morning, during the day they are often found more spread out in agricultural areas like this one.

Sandhill Cranes Landing
Sandhill Cranes Landing

Sandhill Cranes Landing. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sandhill cranes land on a Central Valley pond during the evening fly-in

In the evening the cranes do a “fly-in” – where large numbers of them land together in areas around water. When we arrived at this small observation area an hour or so before sunset, there were many birds but no cranes. However, I’ve learned that the sandhill cranes often arrive late, frequently after sunset and sometime when it is becoming rather dark. (One of our most memorable migratory bird encounters occurred at another refuge further south in the valley. We had a great day of photographing birds, beginning very early in the morning and continuing through sunset. As the sun set the bird action began to diminish and it became quite dark. It had been a long, successful day, and we were happy to be finished with this shoot. We were just putting gear away when we began to hear a huge chorus of the easily recognized sound of sandhill cranes coming from out of sight to the southeast. A moment later the sky was filled with the birds – I’ve never seen so many cranes together since then.)

Here the birds began to arrive just a bit earlier. The first groups landed a good distance off, but soon a single large crane settled in on this dry area in front of us and began to produce very large calls, as if to say, “come on down and stop here!” Before long other birds did just that. Here the slow shutter speed allows the winds of the landing birds to blur a bit.

Cackling Geese in Flight
Cackling Geese in Flight

Cackling Geese in Flight. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A small group of cackling geese in flight against blue sky over California Central Valley agricultural lands

I have a confession to make, and it is a little embarrassing for a person who is as enthusiastic about photographing birds as I am. Basically, I’m not very good at identifying birds, or at least not good at naming them! (This is an “issue” I’ve always had, and not just with birds. I’m so familiar with certain wild plants that I can tell you exactly what they look like in the wet and dry seasons, when the flowers will appear, and when to find them… but I often cannot name them.) I’m always happy when I can photograph with someone who is better than I at this.

I’m pretty certain these are geese! (Good so far?) I used to think that geese that looked like this were Canadian geese, but when I tried to find photos of these birds online to determine what they were, I kept coming up with “cackling geese.” To make things more confusing – at least for me – I understand that the differences between some Canadian geese and some cackling geese can confuse even the experts. Judging by the size and shape of the bill, the size of the birds, and the pattern and color of feathers, I’m going with this identification until someone shows me differently!

Sandhill Cranes, Evening Fly-In
Sandhill Cranes, Evening Fly-In

Sandhill Cranes, Evening Fly-In. Central Valley, California. November 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sandhill cranes settle in to a Central Valley pond during the evening fly-in

This is the same group seen in a photograph earlier in this post, with this photograph being made a bit earlier – clearly the case as there are fewer birds on the ground in this shot, and the color of the sky is less intense. If you look closely about a third of the way in from the left edge of the frame, you may be able to see the larger bird that landed first and was then followed by other later arrivals.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.