Tag Archives: architecture

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Blue and Green Receptacles, Yerba Buena Gardens

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Blue and Green Receptacles, Yerba Buena Gardens
Blue and Green Receptacles, Yerba Buena Gardens

Blue and Green Receptacles, Yerba Buena Gardens. San Francisco, California. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Blue and green waste receptacles next to a glass wall at Yerba Buena Gardens, San Francisco.

I’m tempted to not say much about this photograph, beyond the basics of where and when and what. The “where” is along the wall of the performing arts center at San Francisco’s Yerba Buena Center. The when is on a morning with high fog that produced some nice, diffused light. The “what” is, well, a couple of trash cans in front of a large window, behind which there are a couple of other trash cans in the same color scheme, a drinking fountain, and some yellow walls. Profound, no? :-)

G Dan Mitchell Photography
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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Juxtaposed Buildings With Shadows and Reflections

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Juxtaposed Buildings With Shadows and Reflections
Juxtaposed Buildings With Shadows and Reflections

Juxtaposed Buildings With Shadows and Reflections. San Francisco, California. July 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

The overlapping structures of downtown buildings covered with reflections and shadows, San Francisco.

I made this photograph while walking up Market Street in San Francisco on this early July morning, dodging fast-walking pedestrians and bunches of tourists. I wasn’t certain of what I would shoot here on this day, and I was actually equipped more for shooting street level scenes than this sort of thing, in that I was traveling light with only a few basic prime lenses. But when I visit here, I’m almost always fascinated by the juxtapositions of different types of architecture, patterns of shadows and reflected light, the effect of perspective when looking up from the street, and the odd similarities to some of the rugged landscapes that I also like to photograph.

I’m not good about paying attention to the identity of the buildings, so while I could certainly locate them again quickly I’m afraid I can’t name them! I’ve photographed both before, and I was already very aware of the reflection patterns that appear in the windows of the darker building on the left, creating a criss-cross pattern against the lines of its own windows. There are more subtle effects of light on the lighter surface of the building on the right. Reflections from windows above and to the right cast diagonal lines of faint light down and across this part of the building, and below that there is a faint pattern of darker lines which are shadows from the light reflecting through the horizontal structure at the far right margin. (Being a fan of such things, I also like the fact that this open structure creates dark shadow patterns beyond and to its right and lighter shadow patterns across the whole face of the building. Yet other buildings are reflected, slightly distorted, in the large windows set in the bright wall.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Saint Patrick’s Church

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Saint Patrick's Church
Saint Patrick's Church

Saint Patrick’s Church. San Francisco, California. July 8,2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of walls, windows, and roof lines of the side of Saint Patrick’s Church, San Francisco.

I don’t know the full history of this church in downtown San Francisco, but I do know that it is visually interesting. It has the appearance of an old cathedral, with the emphasis on old. Parts of the structure appear to be made of reinforced concrete, parts of brick, and a few sections of newer construction. Bits and pieces of all of that appear in this photograph, with some rather old and weathered materials in much of the structure, but with a much more modern-looking outbuilding at lower right.

While there is a large park (Yerba Buena Park) right across the street, much of the other surrounding architecture is quite modern for the most part. Most striking is the deep blue cubic structure of the Contemporary Jewish Museum right next door, but all around much taller and vastly more modern buildings are found. (Some of the light filling the shadows in this photograph is reflected from those buildings.)

I think that this photograph has a lot in common with a number of my photographs of mountains, especially the Sierra Nevada. In fact, I don’t think it is too hard to find parallels to some of the recent photographs of Mount Conness towering above the shorter Polly, Pywiack, and Medlicott Domes near Tenaya Lake along Tioga Pass Road.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

People, MoMA

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People, MoMA
People, MoMA

People, MoMA. Museum of Modern Art, New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

People moving on multiple levels of lobby and walkways at the Museum of Modern Art, New York.

I’ve been sitting on this photograph for a while, but I’ll interrupt the recent series of Sierra Nevada photographs to insert something more urban.

The photograph was made handheld inside a central atrium-like area of the Museum of Modern Art in New York City, a space from which layers of walkways could be seen. Although the slow shutter speed was somewhat a matter of necessity (but not totally) it also allowed me to let the moving figures blur, which suggests their motion more than would a faster shutter speed. I also removes the specific features of many of the closer people and lets them function more as generic figures in the image. There is more going on in the scene than might be apparent with a cursory glance.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.