Tag Archives: arid

Desert Hills, Morning Haze

Desert Hills, Morning Haze
Morning haze obscures distant hills above badlands formations, Death Valley Naitonal Park.

Desert Hills, Morning Haze. © Copyright 2023 G Dan Mitchell.

Morning haze obscures distant hills above badlands formations, Death Valley Naitonal Park.

This scene came as a complete surprise. I arrived at this location on a low ridge before dawn and photographed some striking geological formations to my north as the sun came up, gradually filling the landscape with light. Finishing with that subject, I turned around and looked in the opposite direction. Backlit haze had descended on the barren landscape and was glowing in the morning light.

In clear weather, this view reveals badlands in the foreground and dark and tall mountains beyond. But the light made the haze luminous and muted the details of the terrain. I’ve seen such atmosphere in this landscape before, but more often it has come as the result of dust storms. But this was a quiet and nearly still morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Death Valley, Black Mountains Ridge, Sunset

Death Valley, Black Mountains Ridge, Sunset
Looking across a Black Mountain ridge in sunset light toward Death Valley.

Death Valley, Black Mountains Ridge, Sunset. © Copyright 2023 G Dan Mitchell.

Looking across a Black Mountain ridge in sunset light toward Death Valley.

It looks like I am getting nearer to the end of the photographs from my late-January visit to Death Valley National Park. As I mentioned previously, washed out roads and other issues forced me to change my plans after I arrived, as some of the more distant areas I hoped to visit were inaccessible. But that’s OK — instead I wandered into a few lonely places closer to major park landmarks that I had previously overlooked, and I even visited this popular place one evening. From this perch, high in the Black Mountains, I photographed the last bit of sunset light on a nearby ridge.

While photographing so-called icons isn’t my main thing, when the opportunity comes up and the conditions are right I am perfectly happy to take advantage. This was one of those times. I had a free evening when I hadn’t planned to photograph any other subjects, so I headed up here… and I recalled why it is such a popular place. I was also reminded, yet again, that landscape photography isn’t always a slow and sedate process — I barely had time to set up before the beautiful light on the foreground ridge faded.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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From Valley To Peaks

From Valley To Peaks
In morning light, he Panamint Range rises from below sea level in Death Vally to over 11,000 feet at Telescope Peak.

From Valley To Peaks. © Copyright 2023 G Dan Mitchell.

The Panamint Range rises in morning light from below sea level in Death Vally to over 11,000 feet at Telescope Peak.

Earlier I shared another photograph of this series of impressive ridges, rising in the dawn light from the below-sea-level playa of Death Valley to the 11,000’+ summit of Telescope Peak. The other photograph took in a wider view of the landscape. In this one I narrowed the focus to emphasize the immense mass of these mountains and their astonishingly tall escarpment.

It is very hard to get an accurate sense of scale for this scene. This was true when I was there, and I suspect it is even more true when looking at the photograph. The base of the mountains is many miles away — I don’t have an accurate measurement, but it must be more than ten miles. If you look closely, you may notice that it takes four ridges to reach that highest summit, whose distance is likely something like 25-30 miles. And if you look closely you can pick out a series of four ridges as the mountains rise to the summit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands Canyon

Badlands Canyon
Badlands hills and slopes rise from a Death Valley wash.

Badlands Canyon. © Copyright 2023 G Dan Mitchell.

Badlands hills and slopes rise from a Death Valley wash.

The impetus for this photograph was originally the dark rocks distributed across the smooth, hard surface in the foreground. I started from a camera position to the right of this scene, photographing across the rocks and into the light, which backlit the rocks and made the smooth surface glow. But I wasn’t quite happy with the result so I moved around a bit… and eventually decided to place this ascending canyon behind the rocks.

This part of Death Valley National Park, like other locations there, features stratified deposits of remarkably contrast colors and textures. Here nearly back layers alternate with other layers that are almost white. The formations go on for great distances, and you can see that a bit here by looking up the valley in the center to distant peaks with similar erosion patterns.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.